ABSTRACT

Focus: Scottish Traditional Music engages methods from ethnomusicology, popular music studies, cultural studies, and media studies to explain how complex Scottish identities and culture are constructed in the traditional music and culture of Scotland. This book examines Scottish music through their social and performative contexts, outlining vocal traditions such as lullabies, mining songs, Scottish ballads, herding songs, and protest songs as well as instrumental traditions such as fiddle music, country dances, and informal evening pub sessions. Case studies explore the key ideas in understanding Scotland musically by exploring ethnicity, Britishness, belonging, politics, transmission and performance, positioning the cultural identity of Scotland within the United Kingdom.

Visit the author's companion website at https://www.scottishtraditionalmusic.org/ for additional resources.

part I|65 pages

The Social Life of Scottish Traditional Music

chapter 1|6 pages

Introduction

chapter 3|21 pages

Auld Lang Syne

part II|48 pages

Scottish Traditional Music

chapter 4|17 pages

The Politics of Scottish Traditional Music

chapter 5|10 pages

The People of Scottish Traditional Music

chapter 6|19 pages

The Place of Scottish Traditional Music

part III|43 pages

Theorising Scottish Traditional Music

chapter 8|18 pages

Singing Our Difference

The Multimodal Performance of UK Alterity and Otherness in Scottish Traditional Song

chapter 9|15 pages

Theorising Scottish Musical Structure

The Notes of Tradition