ABSTRACT

Whether you’re comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You’ll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avid’s Pro Tools, Apple’s Logic Pro, Steinberg’s Cubase, and PreSonus’s Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.

chapter |4 pages

Introduction

chapter |10 pages

Audio Editing 101

part |128 pages

Corrective Editing

chapter |21 pages

Fades and Cross-Fades

chapter |16 pages

Level Control

chapter |3 pages

Tonal Matching

chapter |23 pages

Comping and Alternate Takes

chapter |20 pages

Multi-Track Comping

chapter |18 pages

Transient Detection

part |112 pages

Creative Editing

chapter |23 pages

Beat-Mapping and Recycling

chapter |18 pages

Drum Replacement

chapter |24 pages

Time-Stretching

chapter |19 pages

Elastic Audio (Time)

chapter |24 pages

Pitch-Shifting

part |54 pages

Restorative Editing

chapter |18 pages

Spectral Editing

chapter |12 pages

Demixing

chapter |6 pages

Thinking Outside the Box