ABSTRACT

First Published in 2005. Silver is unique among the decorative arts in that its raw material is both inherently valuable and infinitely reusable. Its ownership has been a social bench-mark and its form has exercised the skills of sculptors, designers, chasers and engravers, but ultimately it could be, and normally was, melted down and refashioned quite without sentiment. Because of this constant recycling, the survival of any individual object is quite random and unrelated to its uniqueness or otherwise in its period. Hitherto plate historians have focused on individual objects almost to the exclusion of the context - social or economic - from which they came but now that context is seen as crucial in understanding historic plate. So in the first section of this book each chapter considers contemporary attitudes and usage.

part I|142 pages

History

chapter One|24 pages

Medieval

chapter Two|23 pages

Tudor

chapter Three|26 pages

Stuart

chapter Four|26 pages

Early Georgian

chapter Five|22 pages

Mid-georgian To Regency

chapter Six|19 pages

From Victoria To The Present Day

part II|52 pages

Craft, Company And Customers

chapter Seven|21 pages

‘Touch', Assay And Hallmarking

chapter Eight|15 pages

Techniques Of The Silversmith

chapter Nine|14 pages

London, The Country And The Colonies

part III|70 pages

Design And Ornament

chapter Ten|14 pages

Heraldry As Ornament

chapter Eleven|12 pages

Engraving And Engravers

chapter Twelve|42 pages

Alien Craftsmen And Imported Designs

part IV|73 pages

Silver And Society

chapter Thirtheen|35 pages

Antiquaries, Collectors, Fakers

chapter Fourtheen|36 pages

The Sociology Of Silver: Gifts And Obligations