ABSTRACT

Developing Musicianship through Aural Skills, Second Edition, is a comprehensive method for learning to hear, sing, understand, and use the foundations of music as part of an integrated curriculum, incorporating both sight singing and ear training in one volume. Under the umbrella of musicianship, this textbook guides students to "hear what they see, and see what they hear," with a trained, discerning ear on both a musical and an aesthetic level.

Key features of this new edition include:

  • Revised organization, with exercises gradually progressing from the simple to more difficult, taking beginner students’ varied skill sets into account.
  • An enhanced companion website, with interactive training modules for students to practice core skills, and additional exercises, dictation lesson plans and worksheets for instructors
  • Enhanced coverage and a specific methodology for covering post-tonal material
  • Greater emphasis on developing improvisation skills and realizing lead sheets

The text reinforces both musicianship and theory in a systematic method, and its holistic approach provides students the skills necessary to incorporate professionalism, creativity, confidence, and performance preparation in their music education. The second edition of Developing Musicianship through Aural Skills provides a strong foundation for undergraduate music students and answers the need for combining skills in a more holistic, integrated music theory core.

chapter |4 pages

Before You Begin

Module A: The Method

chapter |2 pages

Module 1: Simple Meters

Module 1a: Simple Beats and Their First Division and Multiple Note Values

chapter |3 pages

iJ JJJJJ

J J IJ J J J J J (GREar;

chapter |3 pages

Module 1e: Rests

chapter |3 pages

iIJ IJ IJ IJ IJ IJ

j j j t=T":l

chapter |2 pages

uuri u Uuri rj )

chapter |6 pages

Module 1g: The Anacrusis

chapter |3 pages

JJJJJ IJ

J J J r r r n I } I n I } } I J J J J J J J J U J J J J U J J J J

chapter |1 pages

?t:r • • • •

chapter |1 pages

Intermezzo A: Why Study Aural Skills?

chapter |5 pages

Module 2: Major and Minor Scales and Scale Degrees

Module 2a: Major Scales and Scale Degrees

chapter |1 pages

tIll # J fCEJI] I 4s£] jI J j

:IIR 10 U _____

chapter |1 pages

rI r r

I J J I r r r I JJ JJ

chapter |1 pages

jI j Ij -

J J J I J j J J J J +r r +r r +r r +r r

chapter |1 pages

; J J ( i2f?(

J 1(2 J ,,~ 1C2J3] cO 1M]

chapter |1 pages

rF r

chapter 9|1 pages

1 EfJF rI r Icr:r rF I

r~ I EfJF r~ I 7:Prw. 4]:) J iJ J J I J JJ J iJ J

chapter |2 pages

DIr· pJJ

rz:j r1 I:;;' ::u.

chapter |1 pages

Intermezzo B: Professionalism

chapter |2 pages

Module 3: Compound Meters

Module 3a: Compound Beats and Their First Division and Multiple Note Values

chapter |2 pages

JJJJJJ IJ J J IJ IJ J

J J J J J J J J J J J J J J } } } J J J J J OITJ IITJ IITJ } I J J J J }.J ).J ).J }.J } } I IJJ J ) } I J J I} } I IJJ J ) ) I IJJ J

chapter |3 pages

JJJJ IJ JJJ JJ J ) JJJJJI

chapter |3 pages

HJ jJ JjJ I J JjJ Jjl JjJ JjJ IJJJI JjJ JJJI JJJ IJjJ J Jjl JJJ JjjJ.

)IJ. JjjJ RF U F F U F IFF F J J JJ F I C r F F r I JjjnJ

chapter |1 pages

Jj-J • J •

J J J J J J J J ------- J J J J J J J J J J J J ---------- J J J J J J J J J J J J J J r r r r r r r r r r r r J]]IJ]]} jj jlJ J]]lj jJ]]ln

chapter |2 pages

£ j } jJ J j J IJ

1£ j J J Ij j)1 } j j j j j j J J I j IJ I} J J)I I J IJ 16). ). J J J). I £1 £1 JJ I). ). J J J J J J I JJ JJ J J J). ______ tP77r r r r r r r r r r fflr r rIPr f1F r r r P7r" tf?F r

chapter |2 pages

CF [ IF F

:r:G c;::d

chapter |1 pages

Intermezzo C: Musicality

chapter |1 pages

Module 4: Intervals

Minor and Major Seconds

chapter |4 pages

Module 4a: Minor and Major Seconds

chapter |2 pages

IFF rrr rF I rr r

F I F I ; 1;1 l6i?f 'ill I ~gF I I J J J nif~

chapter I|1 pages

~r p ; -J ~· ~ U· r = If I IU U

:}:#I IT!'a I (fCf1 (C'r IT!'a I {gJ # @ C1!OJ

chapter |4 pages

!1'ili 6Ft-

fIEf ciTF

chapter |11 pages

'hl~t I16 I

chapter |2 pages

Module 4e: Major and Minor Sixths

chapter |2 pages

JIj J

I F J U j J I F J U I J J IJJJmloJ I,!JJiO"JloJ IWJJJ U j I

chapter |2 pages

UrrJ1#/[ r * r Ell r

fa I r Ell * * J I J * * J I r * * r I r * * r I r * * r I J * * J I J J J J I J J J J I * * J I J J J J I r * J * I J J J J I J J * J I J r * J I J * J * I J liJprv GtE E l ettl r I r F r I r r r I JW fP r I r Fir if:D.

chapter 219|3 pages

}~e

EEfHr 'I ciTe 'I dfffiJ' fHLfF Ii :£?j). ar::J

chapter |3 pages

Module 4f: Tritones

chapter 11|2 pages

8 g. Major and Minor Sevenths

chapter 6|1 pages

"'i JIJ.

Ill:IJJid. IWJJIJ JI", fijf' Ij I Ij I r r r J I J

chapter |1 pages

JlJ7]5l2 J Ir F rI J J7J t].

IliFf

chapter |1 pages

@!Sip tJ

ltD J )1). )4&)1 C?ttE} I J )f I

chapter |3 pages

&.1'1,1

&.I'I,GbGI f"Aq@

chapter |1 pages

Module 4h: Compound Intervals

chapter |3 pages

rr r rJ J

([fiFIr J~V ad t]

chapter |1 pages

Intermezzo D: Listening

chapter |3 pages

Module 5: Triads

Module 5a: Root Position Major Triads

chapter |2 pages

jf rrIfJ (f iJ I

f r r I r r r I f r r I f r r I r r r f J I J J I I J J I If r r 7Jq. If177 Ir J r r I # I J f r I f J I J f r I I f r r I r f I f r I J f r I f r rEI-IErr I -I FfFiJijr I F fit·

chapter |2 pages

fffIF rIff ff I F Ir F f

r er r fer t &'fi!t:l J JiB) WTfTffld £28? J

chapter |2 pages

It f

irtr; e:r:n r fiir· ------

chapter |3 pages

Module 5b: Root Position Minor Triads

chapter |2 pages

r EJ

16JfUd f] n

chapter |3 pages

ill ' g: iJJ 4JI JJ J

J I £' J ') J J J I J J FJ J Fa J J Fj I Fa usr:veg I r:J Effi1J f6h§U In:! fF) 1Gb

chapter |2 pages

rF r r Ir r r r rio rI r r Ir F F rF F

F I F j J I j iJ j j J I j iJ I j j ETc I Fin n V r J j J j I

chapter |2 pages

[}?f

;CJ} I (TIP} rSI?rw·

chapter |2 pages

~chumann t@j,C t @jJ r ')7

6EfiE ri?r ~ ~ ~

chapter |4 pages

Module 5d: Diminished Triads

chapter |1 pages

(51T (e7; Ir r rr c

r r r r r r r r r r r r

chapter |4 pages

E32a Itiel;? jFl' fl

r7]?j, kitE I

chapter |2 pages

Extra Practice 2: Reading the Alto Clef

chapter |1 pages

26SF JFIR JEJfFi Ir rrI rLat

E I J 7Jar;· I F 7 I r r r E I j

chapter |1 pages

Intermezzo E: Perseverance

chapter |5 pages

Module 6: Seventh Chords

chapter |1 pages

If aEfI tlEi

IfiJ.5lptJ r r r r 0 0 II ) le]1 ]111

chapter |2 pages

y:n11lp

u 10 U J I Z!J I @ J IJ F F I fJ] I fiJ £D I I fJ]#J fiJ I

chapter 2|1 pages

'1,'1' r ,€ Lf

uiiJa-,

chapter |4 pages

Module 6c: Major Seventh Chords

chapter |1 pages

JJ J d Fr I; J

r j' J J J J J a1fl.Er I c.a:t:a I P J ;\ r i7Er- 9~J~r I :l~£j. '.07W p=jq } &ill li)lJ. ii)Ii'JJ

chapter |1 pages

{Jj t # Q J

IJ l

chapter 117|2 pages

l' r'

J £1 I

chapter |2 pages

Module 6d: Minor Seventh Chords

chapter |1 pages

ILtd

I;);) 21nnJ

chapter |3 pages

JflU Vn I

J IJ fP I i f:rn

chapter |2 pages

rfr rrr fr r r If iT rrr $@!J

r r Ir ¢fFiC --= --= =----= ;~~3

chapter |2 pages

,i#\!;,g;ggg 1 r r r 1 r1 1 ) rJ I( ??w

1J J J

chapter 2|1 pages

' R @lE.t1f& EifB' ~[LfFf fEiar

6f]"i rEilc rIF I J j j J r"rHu

chapter |3 pages

FJ r r #j JI J Fr Fir r Jn F

fiJJ J IqtJ 1.t'"

chapter I|1 pages

~ I (ifr rcrTrlfFr

chapter |1 pages

Intermezzo F: Creativity

chapter |7 pages

Module 7: Harmonic Function, Improvisation, and Progression

Module 7a: Introduction to Improvisation

chapter III|1 pages

I I I

chapter |3 pages

Module 7f: The TPDT Progression

chapter |4 pages

vIt) J

8 r' 116m I ~r I (f'c I r7iPf F7t I F I Jf?F J cJIE I J J J c IFPc 8ij iJ J fir1 1. mot]; c I JJiOF iJJ 8 I n J J 17 J I 8 8 2} I 8 J I J Presto_------_ ~ ~ ~ ~

chapter |3 pages

JJ J : : '

chapter |1 pages

IJC?7if I

6ijJ J I J iBn IE!U

chapter |2 pages

~ ~ ~

chapter |1 pages

'2EJ3 jI~r I~C 1r?JiJ Ir~1 , Q'

12TH S,ftDJ @ r J (i5J

chapter |1 pages

J1 :

chapter |1 pages

Intermezzo G: Confidence

chapter |3 pages

Module 8: Irregular Divisions and Syncopation

Module 8a: Triplets

chapter |1 pages

2JJJIJ JJ J J JJ I J

J J J J J J J J J jjj] Ijjjn jjj] J J J] ] ] J J J R ]

chapter |1 pages

iJJ J JJ J J Inn. n

I JJ J JJ J JI I JJ J J JJ J I n J ===--

chapter 333|2 pages

IJJJn J] J]

JJJJJ IJJJJJJJJJJJJ IJJJn J J J J J J J J I J J J 11 J I J J J J I J J J J J I JJ J J I JJ J J J I JJ J J I J JJ J I JJ J J JJ J I JJ J J

chapter |2 pages

Module 8b: Duplets

chapter |2 pages

wlJJj n

IJUjJlTIn II'DlJJJ IJUjJn)j H2 J J 2 J J I I I 2 J J I JJ I 2J J lTI)j !£tl 1!22..!:3v r r r r r r r r r r r r 2?;z]

chapter |1 pages

RE HrEHrI EHrrnF I JEHrU I err I EHrU I n IJ I n IJ I D

J53 J53 I)J )J iJJ fJJ I qyrr ¢f7iIJ2J JJJ)J IEJ)J )I£J]EJ

chapter |2 pages

JJ J ) I ) )

FJ FJ

chapter |1 pages

Jf9J J

(1 P J (11 fJ? rip ?J ? J? J J? J?

chapter |3 pages

Module 8c: Syncopation

chapter |1 pages

iF IUIF Iff8FL.luultmnr

I F I U I F I : F Moderato_-----_ iffF7Lr Irrrrul(Q'i27lr i.}) 0I J0 0 0 0I J0 0 0 0J I J0 0 00 0 I JJJJ 'J 'J .CJ J J

chapter |2 pages

J,Dj

I), ) I ; J ft ft I ; J I), ) ft I) I J J J J I J J J J I J J I I J J J J I )J

chapter |1 pages

IJJ JIJ JJIJJJJIJJJJJJIJJJJJ IJJJ

J J J J I J J J J J J I J J J I J J J J J J I J J J J I J J J I 0 J J I fa JJ J

chapter |1 pages

)IJJI JJ J)JJ ftlJJJIJ jJJJJ

)IJJJJ J J J ))IJJJR)J )IJ J J )IJJJJJJ)J If f p f p U U r r r r )mnJl IJjjJJJJ

chapter |1 pages

1I;)j' J)j' 3 jJ 3

) ) 3 3 J J 3 J 3 J J 3 3 J 3 J J

chapter |2 pages

r(1r r Iu u ur *

I U f r far r r far r ! ITI

chapter 12|1 pages

; r

?-j£1:={

chapter |1 pages

ann Immn

jffi.!Jjj1 jffi.!JjjjffiJUJ j J J j j j J J J J J J IJ IJ J J J 3333 33 3333

chapter |1 pages

iJ JJIJJIJJ JJ I JI JJJIJJ JIJJJI

~=====f ,err f If If F fJ' 6fJ' U I r 6fJ' f lanDI lanDI ioJi?CtIEjei lanDIJ

chapter |2 pages

IJJJIJJJJJJJIJJJ IJ JJJJJJI JJJJJIJJJJIJJJIJJJJ

-------/ J J J J J J J J I J J J I J J J

chapter |1 pages

laaa,] Ij,J, I,j , aa - aa aaa - , J

J I,j.. Ef&ff}?F I El&u2?F I EfE}} I J J a I an n jJ))1 a a I

chapter |3 pages

im.wJ I I ~jjJ }II

I :7.Jl.wJ I I :7.Jl.wJ I Jjj7 J J J I fwmJI fWrJ jl mJ"7)1 mJ J

chapter |2 pages

Module 8e: Other Divisions of the Beat

chapter I|2 pages

WEEEEEI UFI WF I

EEEEEW I WEEEEFI W F L-L-pp L- I J J J £) I J I JJ J J J J I J I J J J I JJ J J JJ J =~mp iJJJJJJJJ J J J JJJJJIJ J J J J J J J J J I J J J J J I J J J J J J J J J J I J J J .rJ .rJ 1.rJ

chapter |1 pages

-======

j j j j j j j j j j jjjjj jjjjj

chapter |1 pages

j--j jjj2] j. jJ jI] j

j j)1 I]. )1] } j j j J Jjjjjj:J J Jjj: Merrilf].

chapter I|2 pages

} J

bJDJiJJn J'I ErE JjJ]]) IE r )1IJJJUJJJJJ J JJJ )1IJ ,-----5_ J J J J J J IJ J J J J J IJ J J J J r r r r r r r r r r r r r I Ir :: r r r r r r r rip

chapter |3 pages

laOOOaOOOOfjlft

,------5_ 0 a0 0 0 0 I a 0 00 a 0 0 0 0

chapter |2 pages

Module 8f: Reading Complex Rhythms

chapter |1 pages

JJIj JJ J IJJJ ¥ n.

I) j JJ J I J J J I J7j) WI r IJJJJ JJJJJJJJJJ J J J IJJJJ

chapter |1 pages

blp IFFFFFp FFFFFp liFFFU blp IFFFFFU r p ig F FFU bi p

FF F 9 2 Ig F F F9 2 FF F p FF F F F FFF2 p r 2 I FF F F F F 9 P ' F P' F I 9 , 9 , 9 , :: r FF F F , 9 , 9 , 9 I9 , 9 , 9 ,

chapter |1 pages

,3, , 2 3, j)7 ,3, I J mJJJJJ53 JJ.I J J JJ JJJJJJ IJJ JJJI J J JJ JJJJJJ £ ) J1 5

OjJJJJj j j ) JjliID tf1 trrrr F r r r r Cf17:f* r r r r r r )7BIJJJ J1* J 7 17J J JJJJ I} J J I} 7 7 J fJ I I) J J )

chapter 2|1 pages

fJItfJ"Bj)JJJJJd,JJjJ.51 JI £j j,_1)7 rr r

[[rEF FJ JJ]]]] CJ F F F 6:br err [ [ [ [ J I J nJj'j J Ja a I Ja a J J J J J J I J aa a J a J I J h B,-,J aa J a a J I J aa a

chapter |1 pages

JJJJ

chapter |1 pages

Intermezzo H: Performance Preparation

chapter |4 pages

Module 9: Non-Modulating Chromaticism

Module 9a: The Chromatic Scale and Surface Chromaticism

chapter |1 pages

' ,9 eFtfBTJ I E!thP I J

E£iffll

chapter |2 pages

1f?7tr

(rile-' f~1

chapter I|3 pages

) , I

£81£9 JGd)

chapter |1 pages

Module 9b: Modal Mixture

chapter |1 pages

! IIIIIII

ItLJ ---== ===-- J I J J J I r r r r

chapter |1 pages

Ir-p r r I FC f

IT V rE!I r I I r r r I r J r

chapter |3 pages

!N,;G

F C F 162fT r::r I 6f7ERw' I J rlriC?l r r u l1i5 {Zlr'

chapter |4 pages

Module 9c: Secondary Dominant Chords

chapter |3 pages

F)~' J/oTJ

F F I F J J I f F f f' ) IFf' IFF f F I@J J I

chapter |1 pages

4lEl1r

chapter 6|2 pages

14 a. tE ! A tFUtttl

6§'\ ¥¥UP¥I ait tit iiirrtJiu A

chapter |1 pages

FFJ Fr : :: F

chapter |1 pages

'~I'lt~ rn I IU r

J~.i~

chapter |1 pages

iJ J BJ7J 7JJ

7J,lq-n

chapter |2 pages

IrEt

I ~r I IE isF E11J 1,,6fiJ; I J C I

chapter |2 pages

Module 9e: The Neapolitan Harmony

chapter |1 pages

JF r F Jr' IJIJ (15t71 F rJ I

1iJD I (JJ571 J J I J 1iJD J. JI IJ J. I &4. I fJJ RJ I Idft JII:FP j j. iQglfJ 1 '&R

chapter 7|2 pages

&B3

chapter 3|1 pages

D DI J I 'pI i

PI F I Ell J J I J J 494 #fffli I F J F r I 0' I Ell ,rIf{ J J r r I F I r F I FJ -

chapter |2 pages

JiS:£l jjj 3jjj

3 fTF 1'1," t f7t (f'p

chapter 34|2 pages

3 f. Augmented Sixth Chords

chapter |2 pages

}oJ.

chapter |2 pages

Vr r p~ ~ PI P P rvrrr

J I J D

chapter |1 pages

~ ~ ~

chapter |2 pages

JItA

67?a IltlJ 143' Cd' IJ !Jii;; "IV,

chapter |3 pages

'ibR;~J 'IJ~.J 'lllJ

i#fJ (S!JSj1j i#fJ ------

chapter |1 pages

Intermezzo I: Energy, Space, and Time

chapter |7 pages

Module 10: Modulation

Module 10a: Modulation to Closely Related Keys

chapter |1 pages

'Iiie ( iill I E ~~

If?9 {[!Effl

chapter |2 pages

rd ' r jd' I rd '

I ( F r rEp qr; I lJ J I J J I J 2 J J I J J J I J I r' }2 f~F' &p~d

chapter |1 pages

gy llfJ Y{jJ tt gy #fJ g

yr I ttlla I yfr dYdFtI @~ I

chapter |3 pages

ffEUI rf EUI rJ J J~ ~ r173]3

_iMI

chapter 7|1 pages

'; t:1: u: ; : :;

:; :gJP::;-:O .. .. •.••

chapter |6 pages

Module 10c: Chromatic Modulation

chapter |5 pages

JIF J If F J jl2/1J7iF JIf jj4JJ?1

f I f I f V f I @ J I tE.J I F71 2 JI 2JJJI) lad rl '\J~ "~4~J

chapter |1 pages

Module 10d: Direct Modulation

chapter |1 pages

&ilijEJ J I;] J I;

) 4f9J J;~h IJ~h ~~E} Ern I f "'DJ ,..,IF )I'W"F I J J Ff773? ItEr?} (77?F J r1T?1 r IF F J I J 42l2J

chapter |4 pages

CpCp I TI r

q£T] I pCp I pCp I q£T] I pCp I JIJ J I J J I J JIJ J J I ")~ ~ -== f" J J J JaJ J J I J1 (7tr J I , JP riC"

chapter |2 pages

Module 11: Changing Meter, Polyrhythm, and Asymmetric Meters

Module 11a: Simple Changing Meter

chapter |1 pages

2JJJ J Ii JJJJIJJ Ii J Jn n

J J J J IJ J I J 11if~

chapter |1 pages

IJ3IJ3 Ii II II

3 J J Ii 3 3 3 Ii J 3 I J 3 I J 3 3 3 3 3 3 I J

chapter 2|1 pages

(7?F r f40r

(7F) f2sr f23r £22/r rc-r -18?F £2i1£Y Fill I' J J J J J J J J J J J

chapter |1 pages

;r u

r r r r r r r r r r Ii I r r r r u U U U r u U p I r u U WWwwnl

chapter |2 pages

JJ)J Ii

JJJJJ)J5J JJJJJ )I! J J)JJJJI J)I J II rrrI r r p rrre-::r

chapter |2 pages

Module 11b: Metric Modulation

chapter |1 pages

rJ rJ JJJJJJJJ

rJ rJ 2.r=J .r=J .E5'"J .E5'"J J J J J J J J J J J J J Fie F t:Etr J J J:9 C F Fie F

chapter |1 pages

nJ n In J

J J J J I :n J J J J J J J J J J J J J J I f] f]

chapter |2 pages

JJJJJ

L'TI L'TI Ii L'TI Ii r r r r 6fJ' P r r r r r r EJ EJ

chapter |2 pages

IUUrrr FU

r pp r u :r pr 3 3 3 3 3 J 3 3 3 3 3 3 J 3 j j j F Ii F F F F

chapter |4 pages

Module 11c: Polyrhythms

chapter |2 pages

2a li'a aJ JIa tId Ia aaI aJ JJIaaa aJ JIJJ

2 J U J I I J)ffil JJJJR J I I J J I J I I J I J J J J I J J J J JI J J J I.. r r r r r r r r r r r r r r r r r r r r r r r r r r r

chapter |4 pages

Uj a44aa

tt,J Ina a jjjja Ij a a 1 a a j a Ij a £4 a a nJjjjl,J

chapter |2 pages

Module 11d: Meters with Uneven Beats

chapter |1 pages

nnn

.r=n J J J §r-l 1.cJ 1r==J IJ J J J J J J J J J

chapter |1 pages

JJJJJJ JJJ JJ J J1IJ J Jj Jj

IJ. j J J J J J J J J J J j j j I LTJ LTJ LJ r r r J J J J

chapter |1 pages

IJ JJJJJJJI JJ. I IJJJ JJJJJJJ IJ J J £J JJJ IJ ) J J ) IJ ) JJJ £J I

JJJJIJ nllJ IJJJJJ. IftJJJlnJJJJIJnJJJlftJ.

chapter |1 pages

JJJJ JjjjJ

J) 7 J )7 )7 )1 )7 )7 )7 IJ J J J J IJ J11)7)7J 00~)

chapter 2|1 pages

J ) J IJ J Jn J

J J J J J J J J J J J J J J J J J ;TIPI };TIli I Ii Ii

chapter |2 pages

}IJ IIIJ

liIJ IJ IJ fjJ .[] .[] J J J J 5'£]ITJ 17}J=n Is

chapter |3 pages

Module 12: Extended Tonal Techniques

Module 12a: Pentatonic and Blues Scales

chapter |1 pages

Ir r

r} r I J p [9 I I J p fJ I J r r r r r r r Ultr I J d J I r r r d I J J J I r r r rC2(3rw Ci:,JW) 2'1% - IUa -

chapter |3 pages

fj]zB

j. j j

chapter |1 pages

~ := j : : :

tJ : : : :!-;!-g,: [!:::= tin :n [!::t

chapter |7 pages

Module 12b: The Ecclesiastic Modes

chapter |6 pages

Module 12c: Other Scales

chapter |1 pages

e:m;d~~~ Fr ~=: [~iss E ::~

chapter |5 pages

Module 12d: Polytonality

chapter |6 pages

Module 13: Atonality

Module 13a: Whole-Tone, Octatonic, and Augmented Scales

chapter |2 pages

iR11t:!J JJJ

111J2B OJ!J J lilT

chapter |5 pages

Module 13b: Post-Tonal Music

chapter I|3 pages

J Ir Ilf JIJ Ir d If J J Ilr

Ig £IJ 'II{ )

chapter |1 pages

Module 13d: Serial Music

chapter |3 pages

, lit J ,j IlIh]

I 4p I 4p iJnJ I] i]

chapter |3 pages

Appendices

Appendix A: Glossary of Musical Terms

chapter |6 pages

Index of Musical Examples

chapter |1 pages

Credits

Module 6c

chapter |1 pages

Module 10d