ABSTRACT

The Merchant of Modernism examines how the figure of the economic Jew symbolizes the struggle of authors from Dickens to Pound to reconcile their critique of capitalism with their own literary practices and how the shifting of the representations of this figure parallels the development of literary Modernism. From the sudden rise of the Victorian stock market to the Great Depression, the prominence of economic Jews in the writings of Charles Dickens, George Eliot, Edith Wharton, Frank Norris, Mark Twain, Henry James, Abraham Cahan, F. Scott Fitzgerald, Ernest Hemingway, Willa Cather, T.S. Eliot, D.H. Lawrence, Wyndham Lewis, Ezra Pound, and James Joyce documents major shifts and events in capitalism, their impact on literature, and advances in economic thought. The Merchant of Modernism provides a sophisticated analysis of the role of economic history and economic thought in shaping both literary Modernism and modern anti-Semitism.

chapter |13 pages

Introduction

chapter Chapter One|21 pages

Our Mutual Creditor

Speculation, Representation, and the Jew in Charles Dickens' Our Mutual Friend and Anthony Trollope's The Way We Live Now

chapter Chapter Two|15 pages

“Made Viciously Cosmopolitan”

From Realism to Romance in George Eliot's Daniel Deronda

chapter Chapter Three|13 pages

Transactions without Risk

Race, Art, and Commerce in Edith Wharton's The House of Mirth and The Custom of the Country

chapter Chapter Four|13 pages

Populist Naturalism

The “Natural” Markets and “Unnatural” Jews of Frank Norris, Theodore Dreiser, and Mark Twain

chapter Chapter Five|13 pages

The Merchant of Modernism

The Author as Jew in Henry James's The Golden Bowl and The American Scene

chapter Chapter Six|14 pages

“In Two Worlds at Once”

Talmud, Cultural Capital, and Identity in Abraham Cahan's The Rise of David Levinsky

chapter Chapter Seven|21 pages

“A Single Window”

First-Person Narrators and Consuming Jews in F. Scott Fitzgerald's The Great Gatsby, Ernest Hemingway's The Sun Also Rises , and Willa Cather's The Professor's House

chapter Chapter Eight|14 pages

Modernism Squats on My Windowsill

Rats, Jews, and Markets in T.S. Eliot's Ara Vos Prec, D.H. Lawrence's Women in Love , and Wyndham Lewis's The Apes of God

chapter Chapter Nine|17 pages

Modernism Squats on My Windowsill, Part II

Markets of Meaning in Ezra Pound's Cantos, Gertrude Stein's Tender Buttons , and Virginia Woolf's Mrs. Dalloway

chapter Chapter Ten|23 pages

“Both Sides of the Question”

Polyphony, Mixed Economies, and the Jewish Question in James Joyce's Ulysses