ABSTRACT

Applies the recent `return to history' in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.

chapter |13 pages

Introduction

Golden Eras and Blind Spots—Genre, History and Comedy

part |46 pages

Two Traditions

chapter 1|22 pages

A Spanner in the Works?

Genre, Narrative and the Hollywood Comedian

chapter 2|22 pages

Comedy, Melodrama and Gender

Theorizing the Genres of Laughter

part |86 pages

Narrative

chapter 3|24 pages

Introduction

Funny Stories

chapter 4|19 pages

Crazy Machines in the Garden of Forking Paths

Mischief Gags and The Origins of American Film Comedy

chapter 5|14 pages

Pie and Chase

Gag, Spectacle and Narrative in Slapstick Comedy 1

chapter 6|3 pages

Response to “Pie and Chase”

part |115 pages

Performance

chapter 8|19 pages

Introduction

Acting Funny

chapter 10|21 pages

The Making of a Comic Star

Buster Keaton and The Saphead

chapter 11|27 pages

Goin' to Town and Beyond

Mae West, Film Censorship and the Comedy of Unmarriage

chapter 12|24 pages

“The Laughingstock of the City”

Performance Anxiety, Male Dread and Unfaithfully Yours

part |85 pages

Ideology

chapter 13|17 pages

Introduction

Comedy and the Social World

chapter 15|18 pages

Romantic Love and Friendship

The Redefinition of Gender Relations in Screwball Comedy

chapter 16|16 pages

Queerness, Comedy and The Women