ABSTRACT

It used to be only movies were on film; now the whole world is. The most intimate and most banal moments of our lives are constantly recorded for public consumption. In The Reality Effect, Joel Black argues that the desire to make visible every aspect of our lives is an impulse derived from cinema- one that has made life both more graphic and less "real." He approaches film as a documentary medium that has obscured-if not obliterated- the line between reality and fiction. To illustrate this effect, Black traces the uncanny interplay between movies and real-life events through a series of comparative analyses-from Lolita and the murder of JonBenét Ramsey to Wag the Dog and the Clinton scandal to Crash and Princess Diana's violent death.

chapter |32 pages

Introduction

The Filmed Century

part |75 pages

Film Culture

chapter |26 pages

Pornographic Science

chapter |24 pages

Primal Scenes

chapter |23 pages

Body Parts

part |85 pages

Filmic Events

chapter |33 pages

Documenting Violence

chapter |18 pages

Telling Stories

chapter |31 pages

Showing the Obscene

part |34 pages

Film Dreams