ABSTRACT

In Songs in the Key of Black Life, acclaimed cultural critic Mark Anthony Neal turns his attention to Rhythm and Blues. He argues that R&B-often dismissed as just a bunch of love songs, yet the second most popular genre in terms of sales-can tell us much about the dynamic joys, apprehensions, tensions, and contradictions of contemporary black life, if we listen closely. With a voice as heartfelt and compelling as the best music, Neal guides us through the work of classic and contemporary artists ranging from Marvin Gaye to Macy Gray. In the first section of the book, Rhythm, he uses the music of Meshell N'degeocello, Patti Labelle, Jill Scott, Alicia Keys, and others as guideposts to the major concerns of contemporary black life-issues such as gender, feminist politics, political activism, black masculinity, celebrity, and the fluidity of racial and sexual identity. The second part of the book, Blues, uses the improvisational rhythms of black music as a metaphor to examine currents in black life including the public dispute between Cornel West and Harvard President Lawrence Summers and the firing of BET's talk-show host Tavis Smiley. Songs in the Key of Black Life is a remarkable contribution to the study of black popular music, and valuable reading for anyone interested in how race is lived in America.

chapter |6 pages

Music on my Mind

part 1|127 pages

Rhythm

chapter 1|13 pages

Revolutionary Mix Tape

chapter 2|20 pages

Grown-Ass Women

chapter 3|11 pages

Diggin' the Scene (With the Gangsta Lean)

chapter 4|10 pages

Habermas in the Hood

chapter 5|4 pages

Oh My! (The Sexual Healing Interlude)

chapter 6|10 pages

The E-Double and the Trouble Man

chapter 8|15 pages

Nuyorican Nostalgia

chapter 9|17 pages

Some Otha Shit

part 2|56 pages

And Blues

chapter 10|13 pages

Radio Free Soul

chapter 11|11 pages

Big Pimpin'

chapter 12|15 pages

But it's not a Rap CD

chapter 13|12 pages

Three the Hard Way