ABSTRACT

An original interpretation of Impressionism and nineteenth-century art and culture by a noted feminist art historian. This book is a pioneering reading of Impressionism from a feminist perspective by a noted art historian. Norma Broude analyzes the philosophical underpinnings of landscape painting in the late nineteenth century discussing the crit

part I|93 pages

Impressionism and Romanticism

chapter Chapter 1|10 pages

Thematic Continuities

part II|34 pages

Impressionism and Science

part III|46 pages

The Gendering of Impressionism

chapter Chapter 8|7 pages

Impressionism and Symbolism

chapter Chapter 10|16 pages

Impressionism and Modernism