ABSTRACT

The standing position of a compositor should be perfectly upright, without stiffness or restraint; the shoulders thrown back, the feet firm on the floor, heels nearly closed, and toes turned out to form an angle of about 45 degrees. The left hand, which contains the composing stick, should always follow the right, which takes up the letters. The index is generally placed at the end of the volume, and set in letter two sizes less than that of the work; it is always begun upon an uneven page. Much trouble and loss of time was formerly experienced by compositors, in making up the first page of a work, when they had to introduce head-pieces and facs, formed with flowers of different bodies. Head lines are generally set in small capitals of the same fount, or in italic, and sometimes in capitals.