chapter  13
Color matching for stereoscopic cinema
Pages 8

As we have pointed out in Chapter 12, in professional 3D movie production it is crucial that the twin cameras used in a stereo set-up perform in exactly the same way, but color differences among views are common and often unavoidable, even in high-end productions. These problems are typically fixed in post-production by color-matching one view to the other, the master view, that is taken as reference.