ABSTRACT
Such a novel result was accomplished by an equally novel approach. What set Mooser’s Train apart from the vast majority of origami designs was the folding style and technique, as well as the complexity of the resulting model. The difference was immediately apparent to even a superficial examination of the crease pattern. In nearly all ancient and early modern origami, the major creases were predominantly radial. They emanated, star-like, from various points in the square: the center, the corners, the midpoints of the edges.
