ABSTRACT

This book uses the work of Bolognese physician and anatomist Gaspare Tagliacozzi to explore the social and cultural history of early modern surgery. It discusses how Italian and European surgeons' attitudes to health and beauty – and how patients' gender – shaped views on the public appearance of the human body.

In 1597, Gaspare Tagliacozzi published a two-volume book on reconstructive surgery of the mutilated parts of the face. Studying Tagliacozzi’s surgery in context corrects widespread views about the birth of plastic surgery. Through a combination of cultural history, microhistory, historical epistemology, and gender history, this book describes the practice and practitioners considered to be at the periphery of the "Scientific Revolution." Historical themes covered include the writing of individual cases, hegemonic and subaltern forms of masculinity, concepts of the natural and the artificial, emotional communities and moral economies of pain, and the historical anthropology of the culture of beauty and the face and its disfigurements.

The book is essential reading for upper-level students, postgraduates, and scholars working on the history of medicine and surgery, the history of the body, and gender and cultural history. It will also appeal to those interested in the history of beauty, urban studies and the Renaissance period more generally.

chapter |14 pages

Introduction

chapter 1|29 pages

Patients and Cases

chapter 2|39 pages

Patients and Practitioners

Swords, books, and knives

chapter 3|35 pages

The Culture of the Face

chapter 4|22 pages

Health and Appearance

chapter 5|43 pages

Grafting Humans and Plants

chapter 6|43 pages

Surgery and the Moral Economy of Pain

chapter |16 pages

Conclusion

The place of Tagliacozzi