ABSTRACT

The publisher Edward Lloyd (1815-1890) helped shape Victorian popular culture in ways that have left a legacy that lasts right up to today. He was a major pioneer of both popular fiction and journalism but has never received extended scholarly investigation until now. Lloyd shaped the modern popular press: Lloyd's Weekly Newspaper became the first paper to sell over a million copies. Along with publishing songs and broadsides, Lloyd dominated the fiction market in the early Victorian period issuing Gothic stories such as Varney the Vampire (1845-7) and other 'penny dreadfuls', which became bestsellers. Lloyd's publications introduced the enduring figure of Sweeney Todd whilst his authors penned plagiarisms of Dickens's novels, such as Oliver Twiss (1838-9). Many readers in the early Victorian period may have been as likely to have encountered the author of Pickwick in a Lloyd-published plagiarism as in the pages of the original author.

This book makes us rethink the early reception of Dickens. In this interdisciplinary collection, leading scholars explore the world of Edward Lloyd and his stable of writers, such as Thomas Peckett Prest and James Malcolm Rymer. The Lloyd brand shaped popular taste in the age of Dickens and the Chartists. Edward Lloyd and his World fills a major gap in the histories of popular fiction and journalism, whilst developing links with Victorian politics, theatre and music. 

chapter |21 pages

Introduction

Edward Lloyd, Eminent Victorian

chapter 1|17 pages

In for a Penny

The Business of Mass-Market Publishing 1832–90

chapter 2|15 pages

Edward Lloyd and His Authors

chapter 3|17 pages

‘I Am Ada!’

Edward Lloyd and the Creation of the Victorian ‘Penny Dreadful’

chapter 4|25 pages

The Importance of ‘Phis’

The Role of Illustration in Lloyd’s Imitations of Dickens

chapter 5|18 pages

‘The Man Who Would Be Dickens

Thomas Peckett Prest, Plagiarist’

chapter 6|18 pages

Thomas Peckett Prest and the Denvils

Mediating between Edward Lloyd and the Stage

chapter 8|14 pages

‘Nicely Boiled and Scraped’

Medicine, Radicalism, and the ‘Useful Body’ in a Lloyd Penny Blood

chapter 9|18 pages

Romanticism Bites

Quixotic Historicism in Rymer and Reynolds

chapter 10|15 pages

A Radical Relationship

Douglas Jerrold and the ‘Workmen and Wages’ Series in Lloyd’s Weekly Newspaper

chapter 11|18 pages

Sweeney Todd and the Chartist Gothic

Politics and Print Culture in Early Victorian Britain

chapter 12|17 pages

Afterword

Edward Lloyd and Nineteenth-Century Innovations in Printing Technology