ABSTRACT

Originally published in 1971, Animals in Art and Thought discusses the ways in which animals have been used by man in art and literature. The book looks at how they have been used to symbolise religious, social and political beliefs, as well as their pragmatic use by hunters, sportsmen, and farmers. The book discusses these various attitudes in a survey which ranges from prehistoric cave art to the later Middle Ages. The book is especially concerned with uncovering the latent, as well as the manifest meanings of animal art, and presents a detailed examination of the literary and archaeological monuments of the periods covered in the book. The book discusses the themes of Creation myths of the pagan and Christian religion, the contribution of the animal art of the ancient contribution of the animal art of the ancient Orient to the development of the Romanesque and gothic styles in Europe, the use of beast fables in social or political satire, and the heroic associations of animals in medieval chivalry.

part 1|142 pages

The Ancient World

chapter Chapter 1|25 pages

The hunter’s art and mythology

chapter Chapter 2|35 pages

Animal art in the ancient near east

chapter Chapter 3|32 pages

Animal art in the civilizations of Greece and Rome

chapter Chapter 4|48 pages

Barbaric animal styles

part 2|194 pages

The early Middle Ages

chapter Chapter 5|39 pages

The Carolingian Renaissance

chapter Chapter 8|24 pages

Byzantium and Italy

chapter Chapter 9|75 pages

Romanesque and early Gothic animal art

part 3|158 pages

The later Middle Ages

chapter Chapter 10|43 pages

The scientific revival and the beast fables

chapter Chapter 11|57 pages

English animal art of the later Middle Ages

chapter Chapter 12|56 pages

Continental animal art of the later Middle Ages