ABSTRACT

Michael Polanyi is most famous for his work in chemistry and the philosophy of science, but in the 1930s and 1940s he made an important contribution to economics. Drawing on rich archival materials on Polanyi and his correspondents, Gábor Biró explores their competing worldviews and their struggles to popularise their visions of the economy, economic expertise and democracy. Special focus is given to Polanyi’s pioneering economics film and postmodern ideas. This volume will be of interest to advanced students and researchers of the history of economics, philosophy of science, and science and technology studies.

chapter |12 pages

Introduction

chapter 2|20 pages

The first economics film

chapter 4|18 pages

Polanyi’s visual method

chapter 6|16 pages

Economic evil and machineness

chapter 7|11 pages

Epilogue

Towards a Polanyian personal economics