ABSTRACT

This chapter examines Gillo Pontecorvo’s The Battle of Algiers as an example of the type of critical discourse that can happen when terrorism becomes speakable. It looks at how a poet, a novelist, and a film-maker adopt different approaches to the Troubles. “Declares Terrorism Reigns in Russia” is the headline for a November 11, 1918 New York Times article about how a group of refugees described conditions in Russia. A 1962 Rand Corporation symposium on terrorism began with the proposition that the “insurgent starts off with nothing but a cause and grows to strength, while the counterinsurgent often starts off with everything but a cause and gradually declines in strength to the point of weakness.” Eion McNamee takes a different approach to the Troubles in Resurrection Man, a novel exploring a particularly brutal campaign of Protestant sectarian terrorism against Catholics.