ABSTRACT

A Quest for Remembrance: The Underworld in Classical and Modern literature brings together a range of arguments exploring connections between the descent into the underworld, also known as katabasis, and various forms of memory. Its chapters investigate the uses of the descent topos both in antiquity and in the reception of classical literature in the nineteenth to twenty-first centuries. In the process, the volume explores how the hero’s quest into the underworld engages with the theme of recovering memories from the past. At the same time, we aim to foreground how the narrative format itself is concerned with forms of commemoration ranging from trans-cultural memory, remembering the literary and intellectual canon, to commemorating important historical events that might otherwise be forgotten. Through highlighting this duality this collection aims to introduce the descent narrative as its own literary genre, a ‘memorious genre’ related to but distinct from the quest narrative.

chapter 1|18 pages

Introduction

The Long Descent into the Past

chapter 2|21 pages

The Even Longer Descent

Notes on Genesis and Development of Ancient Egyptian Underworld Conceptions and Their Interplay with Funerary Practice

chapter 3|21 pages

Remembering in the Real World

Katabasis and Natural Deathscapes

chapter 4|26 pages

Lucretius’ Journey to the Underworld

Poetic Memory and Allegoresis 1

chapter 7|21 pages

The Politics of Forgetting

Descents into Memory in Joseph Conrad’s ‘Heart of Darkness’

chapter 8|21 pages

In the Depth of Water and the Heat of Fire

T. S. Eliot’s The Waste Land as a Modern Descent into the Underworld

chapter 9|22 pages

Homer and LeGuin

Ancient and Modern Desires to Be Remembered

chapter 10|22 pages

“An Australian-made hell”

Postcolonial Katabasis in Alexis Wright’s The Swan Book

chapter 11|21 pages

Memory and Forgetfulness

in Seamus Heaney’s Virgilian Underworlds

chapter 12|24 pages

‘All must descend to where the stories are kept’

Katabasis and Self-Reflexive Authorship in: Margaret Atwood’s Surfacing and The Penelopiad