Mr Brougham - Sir Francis Burdett
There is a class of eloquence which has been described and particularly insisted on, under the style and title of Irish Eloquence: there is another class which it is not absolutely unfair to oppose to this, and that is the Scotch. The first of these is entirely the offspring of impulse: the last of mechanism. The one is as full of fancy as it is bare of facts: the other excludes all fancy, and is weighed down with facts. The one is all fire, the other all ice: the one nothing but enthusiasm, extravagance, eccentricity; the other nothing but logical deductions, and the most approved postulates. The one without scruple, nay, with reckless zeal, throws the reins loose on the neck of the imagination: the other pulls up with a curb-bridle, / and starts at every casual object it meets in the way as a bug-bear. The genius of Irish oratory stands forth in the naked majesty of untutored nature, its eye glancing wildly round on all objects, its tongue darting forked fire: the genius of Scottish eloquence is armed in all the panoply of the schools; its drawling, ambiguous dialect seconds its circumspect dialectics; from behind the vizor that guards its mouth and shadows its pent-up brows, it sees no visions but its own set purpose, its own data, and its own dogmas. It 'has no figures, nor no fantasies,' but 'those which busy care draws in the brains of men,'1 or which set off its own superior acquirements and wisdom. It scorns to 'tread the primrose path of dalliance'2— it shrinks back from it as from a precipice, and keeps in the iron rail-way3 of the understanding. Irish oratory, on the contrary, is a sort of aeronaut: it is always going up in a balloon, and breaking its neck, or coming down in the parachute. It is filled full with gaseous matter, with whim and fancy, with alliteration and antithesis, with heated passion and bloated metaphors, that burst the slender, silken covering of sense; and the airy pageant, that glittered in empty space and rose in all the bliss of ignorance, flutters and sinks / down to its native bogs! If the Irish orator riots in a studied neglect of his subject and a natural confusion of ideas, playing with words, ranging them into all sorts of fantastic combinations, because in the unlettered void or chaos of his mind there is no obstacle to their coalescing into any shapes they please, it must be confessed that the eloquence of the Scotch is encumbered with an excess of knowledge, that it cannot get on for a crowd of difficulties, that it staggers under a load of topics, that it is so environed in the forms of logic and rhetoric as to be equally precluded from 200originality or absurdity, from beauty or deformity: - the plea of humanity is lost by going through the process of law, the firm and manly tone of principle is exchanged for the wavering and pitiful cant of policy, the living bursts of passion are reduced to a defunct common-place, and all true imagination is buried under the dust and rubbish of learned models and imposing authorities. If the one is a bodiless phantom, the other is a lifeless skeleton: if the one in its feverish and hectic extravagance resembles a sick man's dream, the other is akin to the sleep of death — cold, stiff, unfeeling, monumental! Upon the whole, we despair less of the first than of the last, for the principle of / life and motion is, after all, the primary condition of all genius. The luxuriant wildness of the one may be disciplined, and its excesses sobered down into reason; but the dry and rigid formality of the other can never burst the shell or husk of oratory. It is true that the one is disfigured by the puerilities and affectation of a Phillips; but then it is redeemed by the manly sense and fervour of a Plunket, the impassioned appeals and flashes of wit of a Curran,4 and by the golden tide of wisdom, eloquence, and fancy, that flowed from the lips of a Burke. In the other, we do not sink so low in the negative series; but we get no higher in the ascending scale than a Mackintosh or a Brougham.* It may be suggested that the late Lord Erskine5 enjoyed a higher reputation as an orator than either of these: but he owed it to a dashing and graceful manner, to presence of mind, and to great animation in delivering his sentiments. Stripped of these outward and personal advantages, the matter of his speeches, like that of his writings,6 is nothing, or perfecdy inert and dead.