ABSTRACT

Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music—from its historical beginnings in the late nineteenth century to its everchanging present—recounting the musical ideas that arose in parallel with technological progress. In four parts, the author details the fundamentals of electronic music, its history, the major synthesizer innovators, and contemporary practices. This examination of the music’s experimental roots covers the key composers, genres, and techniques used in analog and digital synthesis, including both art and popular music, Western and non-Western.

New to this edition:

  • A reorganized and revised chapter structure places technological advances within a historical framework.
  • Shorter chapters offer greater modularity and flexibility for instructors.
  • Discussions on the elements of sound, listening to electronic music, electronic music in the mainstream, Eurorack, and more.
  • An appendix of historically important electronic music studios around the globe.

Listening Guides throughout the book provide step-by-step annotations of key musical works, focusing the development of student listening skills. Featuring extensive revisions and expanded coverage, this sixth edition of Electronic and Experimental Music represents an comprehensive accounting of the technology, musical styles, and figures associated with electronic music, highlighting the music’s deep cultural impact.

part 1|74 pages

Electronic Music Fundamentals

chapter Chapter 1|11 pages

What is Electronic Music?

chapter Chapter 2|12 pages

Listening to Electronic Music

chapter Chapter 3|20 pages

How Electronic Music is Composed

chapter Chapter 4|9 pages

Electronic Music Composition by Process

chapter Chapter 5|21 pages

The Physics of Musical Sound

chapter Chapter 6|13 pages

Analog and Digital Synthesis Basics

chapter Chapter 7|18 pages

Computer Music Basics

chapter Chapter 8|22 pages

Tape Composition and Sound Editing

part 2|282 pages

History of Electronic and Computer Music

chapter Chapter 10|19 pages

Earliest Experiments in Electronic Music (Pre-1920)

chapter Chapter 11|24 pages

Electronic Music Performance Instruments (1920–40)

chapter Chapter 12|12 pages

The History of Audio Recording Technology

chapter Chapter 13|13 pages

Edgard Varèse and The Listener’s Experiment

chapter Chapter 14|19 pages

212Musique Concrète in France

chapter Chapter 15|22 pages

231Elektronische Musik in Germany

chapter Chapter 16|16 pages

Other European Electronic Music Studios

chapter Chapter 17|17 pages

John Cage in the United States

chapter Chapter 19|8 pages

The Cooperative Studio for Electronic Music, Ann Arbor

chapter Chapter 20|8 pages

The Experimental Music Studio, University of Illinois

chapter Chapter 21|10 pages

The San Francisco Tape Music Center

chapter Chapter 22|13 pages

Electronic Music in Canada

chapter Chapter 23|13 pages

Radiophonic Music in the United Kingdom

chapter Chapter 24|12 pages

Electronic Music in Latin America

chapter Chapter 25|17 pages

Electronic Music in Asia and Australia

chapter Chapter 26|17 pages

Early Computer Music (1950–69)

chapter Chapter 27|19 pages

Computer Music (1970–85)

part 3|92 pages

Makers of Vintage Analog and Digital Synthesizers

chapter Chapter 28|31 pages

Moog Analog Synthesizers

chapter Chapter 29|14 pages

Buchla Analog Synthesizers

chapter Chapter 30|10 pages

EMS Analog Synthesizers

chapter Chapter 31|13 pages

ARP Analog Synthesizers

chapter Chapter 32|11 pages

Other Analog Synthesizers

chapter Chapter 33|11 pages

Digital Synthesizers and Samplers

part 4|69 pages

Live Electronic Music and Contemporary Practices

chapter Chapter 34|20 pages

Live Electronic Music—Foundations

chapter Chapter 35|11 pages

Live Electronic Music—Historical Practices

chapter Chapter 36|9 pages

Modern Turntablism

chapter Chapter 37|19 pages

Contemporary Software and Synthesis

chapter Chapter 38|8 pages

Eurorack