ABSTRACT

First published in 1999, this volume examines Sir John Soane (1753-1837) who was one of Britain’s most inventive architects. His achievements include the Bank of England and the world’s first picture gallery at Dulwich, buildings of international importance. His country estate work, inspired by classical antiquity, ranges in scale from the remodelling of existing country houses, such as Wimpole Hall in Cambridgeshire and Aynhoe Park in Northamptonshire, to simple outbuildings. Here we see the emergence of the key themes of his style and the results of his precise attention to proportion, design detail, and light and shade. These are among Soane’s finest works.

Making full use of the Soane Museum and country house archives, Ptolemy Dean here examines ten country house projects, reconstructing the creative transactions between client and architect, architect and skilled craftsman. It is impossible to understand Soane’s intentions without the drawings, sketches and letters which enable us to trace the process of design. With the author’s own drawings in watercolour to illustrate Soane’s use of light and space, and beautiful photographs by Martin Charles, Sir John Soane and the Country Estate offers an enthralling insight into the work of a great architect. An illustrated inventory, the first fully researched guide to Soane’s country house practice, details an architectural legacy that has rarely been matched.

chapter I|30 pages

Sir John Soane's Country Practice

chapter 2|14 pages

Chillington Hall, Staffordshire

chapter 3|10 pages

Bentley Priory, Middlesex

chapter 4|14 pages

Wimpole Hall, Cambridgeshire

chapter 5|12 pages

Aynhoe Park, Northamptonshire

chapter 6|12 pages

Pitshanger Manor, Middlesex

chapter 7|12 pages

Port Eliot, Cornwall

chapter 8|10 pages

Macartney House, Kent

chapter 9|14 pages

Moggerhanger, Bedfordshire

chapter 10|12 pages

Marden Hill, Hertfordshire

chapter 11|11 pages

Wotton House, Buckinghamshire