ABSTRACT
This chapter, more than most others in the book, explicitly reflects on the broadly Wittgensteinian way of taking film/literature-as-philosophy that this book practices: it explores the nature of liberatory, transformative Wittgensteinian film-as-philosophy. It does so of course via a case-study/example-led approach: a case study principally in the Romanek movie /Ishiguro novel Never Let Me Go [NLMG].
