ABSTRACT

Before the inspiration of Cezanne had time to grow stale, it was caught up by such men as Matisse and Picasso; by them it was moulded into forms that suited their different temperaments, and already it shows signs of taking fresh shape to express the sensibility of a younger generation. Cezanne discovered methods and forms which have revealed a vista of possibilities to the end of which no man can see; on the instrument that he invented thousands of artists yet unborn may play their own tunes. Every great artist has seen landscape as an end in itself - as pure form, that is to say; Cezanne has made a generation of artists feel that compared with its significance as an end in itself all else about a landscape is negligible. The rest of Cezanne's life is a continuous effort to capture and express the significance of form.