ABSTRACT
The expendable conventions in music, on the other hand, would seem to have been isolated much sooner, which is why the process of modernization has slowed down, if not stopped, there. That is, the avant-garde survives in painting because painting has not yet reached the point of modernization where its discarding of inherited convention must stop lest it cease to be viable as art. Nowhere do these conventions seem to go on being attacked as they are today in this country, and the commotion about a certain kind of American abstract art is a sign of that. Abstract expressionism is the first phenomenon in American art to draw a standing protest, and the first to be deplored seriously, and frequently, abroad. One great advantage the American abstract expressionists enjoyed in the beginning was that they had already digested Klee and Miró - this, ten years before either master became a serious influence in Paris.
