ABSTRACT

Caravaggio was one of the most important Italian painters of the 17th century. He was, in fact, the wellspring of Baroque painting. In Hibbard's words, Caravaggio's paintings "speak to us more personally and more poignantly than any others of the time". In this study, Howard Hibbard evaluates the work of Caravaggio: notorious as a painter-assassin, hailed by many as an original interpreter of the scriptures, a man whose exploration of nature has been likened to that of Galileo.

chapter |12 pages

Introduction

Early Years in Milan and Rome

part I|76 pages

Finding the Way

chapter I|36 pages

Early Secular Paintings

chapter 2|39 pages

The First Religious Paintings

part II|118 pages

Egregius in Urbe Pictor

chapter 3|28 pages

The Contarelli Chapel (I)

chapter 4|20 pages

The Cerasi Chapel

chapter 5|11 pages

The Contarelli Chapel (II)

chapter 7|43 pages

The Later Roman Paintings

part III|61 pages

The End of the Road

chapter 8|26 pages

Naples and Malta

chapter 9|21 pages

Sicily, Naples, Death

chapter 10|12 pages

Afterthoughts