ABSTRACT
The auteur theory, as defined by Andrew Sarris, is applicable to filmmaking practice. However, like most theories of art forms (e.g., Stanislavsky’s on acting) it has bred ridiculous and dangerous excesses. Many young directors now use it as a justification for self-indulgent, dictatorial attitudes, especially when working with actors, just as some insecure actors use a distortion of Stanislavsky’s “method” as a justification for self-indulgent ego trips when working with their fellows.
