ABSTRACT

First published in 1989. This study explores Italian attitudes to opera while Vincenzo Bellini was studying and composing. It draws mainly on Italian critical and aesthetic writing dating from the end of an era that was still dominated by the Italian bel canto. Many of the writers considered are unfamiliar today, but they express the accepted views on music, opera, and singing that dominated a particularly insular tradition. This title will be of interest to students of Italian and Music History.

chapter Chapter 1|12 pages

Introduction

chapter Chapter 3|29 pages

The Role of the Singer on the Stage

chapter Chapter 4|36 pages

Poetry and Drama in the Libretto

chapter Chapter 6|42 pages

The Heritage of the Bel Canto