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Titian And Venetian Painting, 1450-1590
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Titian And Venetian Painting, 1450-1590

Titian And Venetian Painting, 1450-1590

ByBruce Cole
Edition 1st Edition
First Published 1998
eBook Published 5 March 2018
Pub. location New York
Imprint Routledge
DOIhttps://doi.org/10.4324/9780429495632
Pages 288 pages
eBook ISBN 9780429964183
SubjectsArts
KeywordsVenetian Painting, Titian's Work, Titian's Portraits, Sebastiano Del Piombo, San Giobbe Altarpiece
Get Citation

Get Citation

Cole, B. (1999). Titian And Venetian Painting, 1450-1590. New York: Routledge, https://doi.org/10.4324/9780429495632
ABOUT THIS BOOK

This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.

TABLE OF CONTENTS
chapter 1|6 pages
Venice, 1510
ByBruce Cole
View abstract
chapter 2|40 pages
Precursors
Giovanni Bellini and the Birth of Venetian Renaissance Painting
ByBruce Cole
View abstract
chapter 3|29 pages
Giorgione, Sebastiano, and the Young Titian to c. 1510
ByBruce Cole
View abstract
chapter 4|22 pages
Titian: Early Success, 1516–1530
ByBruce Cole
View abstract
chapter 5|29 pages
Titian
International Fame, 1530–1543
ByBruce Cole
View abstract
chapter 6|29 pages
Titian
Maturity
ByBruce Cole
View abstract
chapter 7|32 pages
Titian
The 1550s
ByBruce Cole
View abstract
chapter 8|28 pages
Titian
The Late Works
ByBruce Cole
View abstract
chapter 9|31 pages
Titian’s Heirs
ByBruce Cole
View abstract

This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.

TABLE OF CONTENTS
chapter 1|6 pages
Venice, 1510
ByBruce Cole
View abstract
chapter 2|40 pages
Precursors
Giovanni Bellini and the Birth of Venetian Renaissance Painting
ByBruce Cole
View abstract
chapter 3|29 pages
Giorgione, Sebastiano, and the Young Titian to c. 1510
ByBruce Cole
View abstract
chapter 4|22 pages
Titian: Early Success, 1516–1530
ByBruce Cole
View abstract
chapter 5|29 pages
Titian
International Fame, 1530–1543
ByBruce Cole
View abstract
chapter 6|29 pages
Titian
Maturity
ByBruce Cole
View abstract
chapter 7|32 pages
Titian
The 1550s
ByBruce Cole
View abstract
chapter 8|28 pages
Titian
The Late Works
ByBruce Cole
View abstract
chapter 9|31 pages
Titian’s Heirs
ByBruce Cole
View abstract
CONTENTS
ABOUT THIS BOOK

This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.

TABLE OF CONTENTS
chapter 1|6 pages
Venice, 1510
ByBruce Cole
View abstract
chapter 2|40 pages
Precursors
Giovanni Bellini and the Birth of Venetian Renaissance Painting
ByBruce Cole
View abstract
chapter 3|29 pages
Giorgione, Sebastiano, and the Young Titian to c. 1510
ByBruce Cole
View abstract
chapter 4|22 pages
Titian: Early Success, 1516–1530
ByBruce Cole
View abstract
chapter 5|29 pages
Titian
International Fame, 1530–1543
ByBruce Cole
View abstract
chapter 6|29 pages
Titian
Maturity
ByBruce Cole
View abstract
chapter 7|32 pages
Titian
The 1550s
ByBruce Cole
View abstract
chapter 8|28 pages
Titian
The Late Works
ByBruce Cole
View abstract
chapter 9|31 pages
Titian’s Heirs
ByBruce Cole
View abstract

This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.

TABLE OF CONTENTS
chapter 1|6 pages
Venice, 1510
ByBruce Cole
View abstract
chapter 2|40 pages
Precursors
Giovanni Bellini and the Birth of Venetian Renaissance Painting
ByBruce Cole
View abstract
chapter 3|29 pages
Giorgione, Sebastiano, and the Young Titian to c. 1510
ByBruce Cole
View abstract
chapter 4|22 pages
Titian: Early Success, 1516–1530
ByBruce Cole
View abstract
chapter 5|29 pages
Titian
International Fame, 1530–1543
ByBruce Cole
View abstract
chapter 6|29 pages
Titian
Maturity
ByBruce Cole
View abstract
chapter 7|32 pages
Titian
The 1550s
ByBruce Cole
View abstract
chapter 8|28 pages
Titian
The Late Works
ByBruce Cole
View abstract
chapter 9|31 pages
Titian’s Heirs
ByBruce Cole
View abstract
ABOUT THIS BOOK
ABOUT THIS BOOK

This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.

TABLE OF CONTENTS
chapter 1|6 pages
Venice, 1510
ByBruce Cole
View abstract
chapter 2|40 pages
Precursors
Giovanni Bellini and the Birth of Venetian Renaissance Painting
ByBruce Cole
View abstract
chapter 3|29 pages
Giorgione, Sebastiano, and the Young Titian to c. 1510
ByBruce Cole
View abstract
chapter 4|22 pages
Titian: Early Success, 1516–1530
ByBruce Cole
View abstract
chapter 5|29 pages
Titian
International Fame, 1530–1543
ByBruce Cole
View abstract
chapter 6|29 pages
Titian
Maturity
ByBruce Cole
View abstract
chapter 7|32 pages
Titian
The 1550s
ByBruce Cole
View abstract
chapter 8|28 pages
Titian
The Late Works
ByBruce Cole
View abstract
chapter 9|31 pages
Titian’s Heirs
ByBruce Cole
View abstract

This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.

TABLE OF CONTENTS
chapter 1|6 pages
Venice, 1510
ByBruce Cole
View abstract
chapter 2|40 pages
Precursors
Giovanni Bellini and the Birth of Venetian Renaissance Painting
ByBruce Cole
View abstract
chapter 3|29 pages
Giorgione, Sebastiano, and the Young Titian to c. 1510
ByBruce Cole
View abstract
chapter 4|22 pages
Titian: Early Success, 1516–1530
ByBruce Cole
View abstract
chapter 5|29 pages
Titian
International Fame, 1530–1543
ByBruce Cole
View abstract
chapter 6|29 pages
Titian
Maturity
ByBruce Cole
View abstract
chapter 7|32 pages
Titian
The 1550s
ByBruce Cole
View abstract
chapter 8|28 pages
Titian
The Late Works
ByBruce Cole
View abstract
chapter 9|31 pages
Titian’s Heirs
ByBruce Cole
View abstract
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