ABSTRACT

Metafiction is one of the most distinctive features of postwar fiction, appearing in the work of novelists as varied as Eco, Borges, Martin Amis and Julian Barnes. It comprises two elements: firstly cause, the increasing interpenetration of professional literary criticism and the practice of writing; and secondly effect: an emphasis on the playing with styles and forms, resulting from an enhanced self-consciousness and awareness of the elusiveness of meaning and the limitations of the realist form.

Dr Currie's volume examines first the two components of metafiction, with practical illustrations from the work of such writers as Derrida and Foucault. A final section then provides the view of metafiction as seen by metafictional writers themselves.

chapter |18 pages

Introduction

part |2 pages

Part One: Defining Metafiction

chapter 1|18 pages

Metafiction

chapter 3|14 pages

Metanarrative signs

part |2 pages

Part Two: Historiographic Metafiction

chapter 4|21 pages

Historiographic metafiction

chapter 5|12 pages

British historiographic metafiction

part |2 pages

Part Three: The Writer/Critic

chapter 7|16 pages

The novel now

chapter 8|11 pages

The literature of exhaustion

chapter 9|7 pages

From Reflections on the Name of the Rose

part |2 pages

Part Four: Readings of Metafiction