ABSTRACT

The Middle English popular romances enjoyed a wide appeal in later medieval Britain, and even today students of medieval literature will encounter examples of the genre, such as Sir Orfeo, Sir Tristrem, and Sir Launfal. This collection of twelve specially commissioned essays is designed to meet the need for a stimulating guide to the genre. Each essay introduces one popular romance, setting it in its literary and historical contexts, and develops an original interpretation that reveals the possibilities that popular romances offer for modern literary criticism. A substantial introduction by the editors discusses the production and transmission of popular romances in the Middle Ages, and considers the modern reception of popular romance and the interpretative challenges offered by new theoretical approaches.

Accessible to advanced students of English, this book is also of interest to those working in the field of medieval studies, comparative literature, and popular culture.

chapter |38 pages

Introduction

A Historical Introduction

chapter Chapter Two|22 pages

Lanval to Sir Launfal

A Story Becomes Popular

chapter Chapter Five|20 pages

Violence, Narrative and Proper Name

Sir Degaré, ‘The Tale of Sir Gareth of Orkney’, and the Folie Tristan d’Oxford *

chapter Chapter Six|15 pages

Loving Beasts: The Romance of William of Palerne

chapter Chapter Seven|24 pages

The Narrative Logic of Emaré

chapter Chapter Nine|19 pages

Romance and Its Discontents in Eger and Grime *

chapter Chapter Twelve|15 pages

Sir Orfeo: Madness and Gender*