ABSTRACT
After decades of prohibition, Mevlana ceremonies of whirling dervishes attract renewed interest as forms of sacral music, both in formal and popular genres. This trend runs parallel to an increasing concern for cultural, ethnic and religious identities, where the rising tide of religious revivalism sets the tone.
TABLE OF CONTENTS
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PART I TASAVVUF AND MUSIC
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PART II METHOD AND AESTHETICS
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PART III STRUCTURE AND EVOLUTION
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PART IV CHANGE AND CONTINUITY IN THE MODERN ERA
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PART V SUFI MUSIC AND THE MEDIA