ABSTRACT

Britain has attracted many musical visitors to its shores. A varied and often eccentric collection of individuals, some were invited by royalty with musical tastes, some were refugees from religious or political oppression, some were spies, and others came to escape debt or even charges of murder.

This book paints a broad picture of the changing nature of musical life in Britain over the centuries, through the eyes and ears of foreign musicians. After considering three of the eighteenth century’s greatest musical figures, the authors consider the rise of the celebrity composer in the nineteenth century, and go on to consider the influence of new forms of transport which allowed travel more freely from the Continent and the USA.

Musical Visitors to Britain also charts the new opportunities presented by the opening of public halls, the growth of music festivals, and the regular influx of composers in the twentieth and twenty-first centuries, ending with the impact of new musical forms such as jazz.

As much a social as a musical history of Britain, this book will be of interest to anyone studying or working in these fields, as well as to general readers who want to discover more about our musical heritage.

chapter 2|11 pages

The Restoration

chapter 3|16 pages

Handel (1)

chapter 4|12 pages

Handel (2)

chapter 5|15 pages

Wolfgang Amadeus Mozart

chapter 6|18 pages

Haydn in London

chapter 7|4 pages

Interlude

chapter 8|14 pages

‘That’s Weber in London!’

chapter 9|16 pages

Felix Mendelssohn

chapter 10|14 pages

Berlioz and Wagner

chapter 11|10 pages

Frédéric Chopin

chapter 12|13 pages

Liszt and the wandering years

chapter 13|10 pages

Antonin Dvofifiák

chapter 14|9 pages

‘This quite horrible city’

chapter 15|9 pages

Richard Strauss

chapter 16|6 pages

Bartók and the BBC

chapter 17|9 pages

The émigré composers