ABSTRACT

Why do we feel justified in using adjectives such as romantic, erotic, heroic, melancholic, and a hundred others when speaking about music? How do we locate these meanings within particular musical styles? These are questions that have occupied Derek Scott's thoughts and driven his critical musicological research for many years. In this selection of essays, dating from 1995-2010, he returns time and again to examining how conventions of representation arise and how they become established. Among the themes of the collection are social class, ideology, national identity, imperialism, Orientalism, race, the sacred and profane, modernity and postmodernity, and the vexed relationship of art and entertainment. A wide variety of musical styles is discussed, ranging from jazz and popular song to the symphonic repertoire and opera.

part One|50 pages

Music, Criticism, and Theory

part Two|84 pages

Jazz and Popular Music

part Three|68 pages

Orientalism, National Identity, and Ideology

part Four|76 pages

Politics, Class, and Englishness

chapter 11|14 pages

Music and social class in Victorian London

chapter 13|20 pages

The power of music

chapter 15|10 pages

Sullivan’s Demonic Tea-making Scene

Homage to Weber, or Parody?

part Five|46 pages

Ethnicity and Race

chapter 18|22 pages

In Search of Genetically Modified Music

Race and Musical Style in the Nineteenth Century