ABSTRACT

Selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton foregrounds some of the questions that are key to this area of study: what is the nineteenth century? what is British music? and did London influence the continent? The essays which follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.

part One|61 pages

Issues of Gender

chapter One|17 pages

‘Leader of Fashion in Musical Thought’

The Importance of Rosa Newmarch in the Context of Turn-of-the-Century British Music Appreciation

chapter Three|17 pages

The Construction of a Cultural Icon

The Case of Jenny Lind

part Two|72 pages

Church Music

chapter Four|38 pages

‘Hark an awful voice is sounding’

Redefining the English Catholic Hymn Repertory: The Westminster Hymnal of 1912

part Three|57 pages

National Identity

chapter Eight|17 pages

‘Unfurl the Flag and Federate’

Flags as a Representation of Patriotism and Nationalism in Australian Federation Songs, 1880–1906

chapter Nine|21 pages

Singing the Songs of Scotland

The German Musician Johann Rupprecht Dürrner and Musical Life in Nineteenth-Century Edinburgh

part Four|101 pages

National and Local Institutions

chapter Ten|11 pages

Another String to his Bow

The Composer Conducts

chapter Thirteen|22 pages

In Search of a Nation’s Music

The Role of the Society of Arts and the Royal Academy of Music in the Establishment of the Royal College of Music in 1883

chapter Fourteen|21 pages

The Family von Glehn