ABSTRACT

Focusing upon Marlowe the playwright as opposed to Marlowe the man, the essays in this collection position the dramatist's plays within the dramaturgical, ethical, and sociopolitical matrices of his own era. The volume also examines some of the most heated controversies of the early modern period, such as the anti-theatrical debate, the relations between parents and children, Machiavaelli¹s ideology, the legitimacy of sectarian violence, and the discourse of addiction. Some of the chapters also explore Marlowe's polysemous influence on the theater of his time and of later periods, but, most centrally, upon his more famous contemporary poet/playwright, William Shakespeare.

chapter |10 pages

Introduction

Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts

part |49 pages

Marlowe and the Theater

part |49 pages

Marlowe And The Family

chapter |12 pages

The Hopeless Daughter of a Hapless Jew

Father and Daughter in Marlowe's The Jew of Malta

chapter |18 pages

A Study in Ambivalence

Mothers and Their Sons in Christopher Marlowe

chapter |18 pages

Masculinity, Performance, and Identity

Father/Son Dyads in Christopher Marlowe's Plays

part |72 pages

Marlowe, Ethics, and Religion

chapter |12 pages

Almost Famous, Always Iterable

Doctor Faustus as Meme of Academic Performativity

chapter |18 pages

Rhetorical Strategies for a locus terribilis

Senses, Signs, Symbols, and Theological Allusion in Marlowe's The Massacre at Paris 1

part |40 pages

Marlowe and Shakespeare

chapter |16 pages

“Glutted with Conceit”

Imprints of Doctor Faustus on The Tempest

chapter |14 pages

Christopher Marlowe

The Late Years