ABSTRACT

Rich with illustrations, this revised and updated second edition of Dress Codes systematically analyzes the meaning and relevance of clothing in American culture. Presented here is an up-to-date analysis of images of power and authority, gender, seduction (the sexy look, the alluring look, the glamorous look, the vulnerable look), wealth and beauty, youth and health, and leisure and political hierarchy. Taken together, the chapters offer to the student and the general reader a complete "semiotics of clothing" in a form that is highly readable, very entertaining, and thoroughly informative. The illustrations provide fascinating glimpses into the history of American fashion and clothing-along with their antecedents in Europe-as well as a fine collection of images from the more familiar world of contemporary America.Rubinstein has identified six distinct categories of dress in American society, upon which Dress Codes is based. "Clothing signs" were instituted by those in authority, have one meaning, indicate behavior, and are required attire (police uniforms, or the clothing of ministers and priests); ?clothing symbols," on the other hand, reflect the achievement of cultural values?wealth, beauty, you and health. The wearing of clothing symbols?designer clothing or jewelry?may have several meanings; '`'clothing tie-signs,? which are specific types of clothing that indicate membership in a community outside mainstream culture (Hasidic, Amish, or Hare Krishna attire). They were instituted by those in authority, have one meaning, they indicate expected behavior, and are required attire; clothing tie symbols  emanate from hopes, fears, and dreams of particular groups. They include trendy styles such as hip-hop, hippie, and gothic. Another category, contemporary fashion, reflects consumer sentiments and the political and economic forces of the period. Personal dress, refers to the "I" component we bring in when dressing the public self (bowtie, dramatic, or artistic attire). Many of these images have their roots in the collective memory of western society. Written in a lively and entertaining style, Dress Codes will fascinate both general readers and students interested in the history of fashion and costume, fashion design, human development, and gender studies.

part One|35 pages

Introduction

chapter 1|16 pages

Dress in Societal Discourse

chapter 2|17 pages

Nineteenth-Century Theories of Clothing

part Two|30 pages

Characteristics of Modern Social Discourse

chapter 3|9 pages

New Institutional Patterns of Discourse

chapter 4|19 pages

Dressing the Public Self

part Three|109 pages

Clothing Signs and Social Imperatives

chapter 5|14 pages

The Image of Power

chapter 6|20 pages

The Image of Authority

chapter 7|32 pages

Gender Images

chapter 8|41 pages

Seductive Images

part Four|74 pages

Clothing Symbols and Cultural Values

chapter 9|13 pages

Wealth and Beauty in the Middle Ages

chapter 10|10 pages

Leisure and Political Hierarchy

chapter 11|6 pages

Commerce and Fashion

chapter 12|19 pages

Beauty As Perfection of Physical Form

chapter 13|12 pages

The Youth Ideal

chapter 14|12 pages

The Health Ideal

part Five|90 pages

Publicspeak

chapter 15|16 pages

Clothing Tie-Signs

chapter 16|25 pages

Clothing Tie-Symbols

chapter 17|27 pages

The Presidency and Contemporary Fashion

chapter 18|18 pages

The Personal Self

chapter |2 pages

Conclusion