ABSTRACT

This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.

part I|38 pages

A Critical History of The Taming of the Shrew

chapter |36 pages

The Play and the Critics

part II|266 pages

The Taming of the Shrew: Critical Appraisals

chapter |13 pages

Horses and Hermaphrodites

Metamorphoses in The Taming of the Shrew

chapter |22 pages

The Ending of The Shrew

chapter |24 pages

“Love Wrought These Miracles”

Marriage and Genre in The Taming of the Shrew

chapter |38 pages

Scolding Brides and Bridling Scolds

Taming the Woman's Unruly Member

chapter |19 pages

The Taming of the Shrew

Women, Acting, and Power

chapter |26 pages

Framing the Taming

Metatheatrical Awareness of Female Impersonation in The Taming of the Shrew

chapter |22 pages

“What's That to You?” or, Facing Facts

Anti-Paternalist Chords and Social Discords in The Taming of the Shrew

chapter |28 pages

Household Kates

Domesticating Commodities in The Taming of the Shrew

part III|84 pages

The Taming of the Shrew on Stage, in Film, and on Television

chapter |9 pages

“An Unholy Alliance”

William Poel, Martin Harvey, and The Taming of the Shrew

chapter |2 pages

The Taming of the Shrew

Presented by Three Rivers Shakespeare Festival at the Stephen Foster Theatre, Pittsburgh, PA, June 30–July 16, 1994

chapter |2 pages

Review of Gale Edwards's Taming of the Shrew,

Royal Shakespeare Company, Evening Standard, April 24, 1995

chapter |18 pages

Petruchio's House in Postwar Suburbia

Reinventing the Domestic Woman (Again) 1