ABSTRACT

Through a theoretical and practical exploration of Jungian and post-Jungian concepts surrounding image, this book moves beyond the visual scope of imagery to consider the presence and expression of music and sound, as well as how the psyche encounters expanded images – archetypal, personal or cultural – on both conscious and unconscious levels. By closely examining music in film, Nagari considers music’s complementary, enhancing, meaningful, and sometimes disruptive, contribution to expressive images.

Chapters present a Jungian approach to music in film, highlighting how ‘music-image’ functions both independently and in conjunction with the visual image, and suggesting further directions in areas of research including music therapy and autism. Divided into three cumulative parts, Part I explores the Jungian psychological account of the music-image; Part II combines theory with practice in analysing how the auditory image works with the visual to create the ‘film as a whole’ experience; and Part III implements a specific understanding of three individual film cases of different genres, eras and styles as psychologically scrutinised ‘case histories’.

Music as Image will be of interest to academics and students in the fields of applied psychoanalysis and Jungian psychology, music, film and cultural studies. With implications for music therapy and other art-based therapies, it will also be relevant for practising psychotherapists.

part I|26 pages

The psychological image

chapter 1|7 pages

Jung, image, archetype and complex

chapter 2|2 pages

Jung, opposites and psychic energy

chapter 3|4 pages

Jung's psychological types

chapter 4|4 pages

Jung, sign and symbol

chapter 5|2 pages

Image, imagery, imagination

A perspective of placement

chapter 6|4 pages

The autonomous ways of images

Dreams and synaesthesia

chapter 7|1 pages

Conclusion

The nonvisual image

part II|48 pages

Music as image

chapter 8|5 pages

Music as image

An emotive introduction

chapter 9|6 pages

Music as image

Its placement in film

chapter 10|7 pages

Music as image

Its realities and functions

chapter 12|6 pages

Film music

Type, style, original and nonoriginal music

chapter 13|3 pages

Film, music, archetype

chapter 14|4 pages

When image turns hero

chapter 15|2 pages

Conclusion

The music-image – inside and outside film

part III|56 pages

Close encounters of the musical kind

chapter 16|14 pages

Taxi Driver

chapter 17|15 pages

Nuit et Brouillard (Night and Fog)

chapter 18|23 pages

Eyes Wide Shut