ABSTRACT

Interpreting Blake has always proved challenging. Hermeneutics, as the on-going negotiation between the horizon of expectations and a given text, hinges on the preconceptions that structure thought. The structure, in turn, is derived from myth, a cultural narrative predicated on a particular set of foundational principles, and organized in terms of the resulting symbolic form. The primary impediment to interpreting Blake has been the failure to recognize that he and much of his audience have thought in terms of two radically different myths.

In The Evolution of Blake’s Myth, Sheila A. Spector establishes the dimensions of the myth that structures Blake’s thought. In the first of three parts, she uses Jerusalem, Blake’s most complete book, as the basis for extrapolating the components of the consolidated myth. She then traces the chronological development of the myth from its origin in the late 1780s through its crystallization in Milton. Finally, she demonstrates how Blake used the myth hermeneutically, as the horizon of expectations for interpreting not only his own work, but the Bible and the visionary texts of others, as well.

chapter |20 pages

Introduction

The Theory of Myth

part I|57 pages

The Consolidation of Blake’s Esoteric Myth

chapter 2|23 pages

The Narrative

part II|172 pages

The Development of Blake’s Esoteric Myth

chapter 3|48 pages

The Foundational Principles

chapter 4|40 pages

The Symbolic Form

chapter 5|46 pages

The Narrative (1)

The Logic of Complementarity

chapter 6|33 pages

The Narrative (2)

The Function of Self-Annihilation

part III|80 pages

The Implementation of Blake’s Esoteric Myth

chapter 7|12 pages

Blake Interpreting Blake

The Gates of Paradise

chapter 8|24 pages

Blake Interpreting the Bible

The Book of Job

chapter 9|29 pages

Blake Interpreting the Visions of Others

The Divine Comedy

chapter |9 pages

Conclusion

The Truth of Myth