ABSTRACT

Originally published in 1977. Learning to read is probably the central educational achievement of any child's life. It is also a central concern for parents and teachers. Leila Berg, known for her work in children's literature, believes that the enjoyment of books and the acquisition of reading and writing is not primarily an academic or a technical skill, but grows from a warmly physical and emotional base of shared enjoyment with another human being. This book traces the varied ways that babies learn to communicate, and discusses the place of books in the lives of different groups in the community. It examines the types of books used in school, and demonstrates that, in many cases, books themselves provide the major inhibition to the development of reading through their stilted and often formalistic vocabulary. The author's aim is that all children's first experience of reading should be a loving and sensuous one, so that they can come to discover the power of books themselves.

chapter 1|11 pages

Kit, Martha and Elnily

chapter 2|3 pages

Round and round the garden

chapter 3|2 pages

Three together

chapter 4|1 pages

Words and welcomes

chapter 5|3 pages

Open Sesame!

chapter 6|2 pages

Bodies and books

chapter 7|9 pages

‘That’s me!’

chapter 8|4 pages

Words are true

chapter 9|2 pages

‘Dear Billy …’

chapter 10|3 pages

The child and the tigers

chapter 11|3 pages

Frogs or pearls

chapter 12|7 pages

Surviving the Siamese cat

chapter 13|3 pages

Factory babies

chapter 14|10 pages

Explorers keep out

chapter 15|4 pages

Access to lions

chapter 16|4 pages

‘Hurry up’ and ‘Don’t touch’

chapter 17|5 pages

Do teachers cuddle?

chapter 18|5 pages

I’ll tell you what you like

chapter 19|3 pages

Gnomes are all right

chapter 20|4 pages

‘My Dad!’

chapter 21|4 pages

Filthy fish and chips

chapter 22|14 pages

The appalling accusative

chapter 23|9 pages

What is a sprout?

chapter 24|7 pages

Going to the right places

chapter 25|7 pages

Soft nees, hard art

chapter |5 pages

Afterword

Wendy house at the Tate