ABSTRACT

This translation of this classic text contains a balance of cultural and biological considerations. While arguing for the strong influence of exposure and of formal training on the way that music is perceived, Frances draws on the literature concerning the amusias to illustrate his points about the types of cognitive abstraction that are performed by the listener.

chapter |6 pages

Introduction

part I|122 pages

Syntax

chapter 1|22 pages

Sound and Music

chapter 2|20 pages

The Material

chapter 3|41 pages

Syntax

part II|93 pages

Rhetoric

chapter 5|27 pages

Musical Discourse

chapter 6|33 pages

Perception and Linear Organization

chapter 7|31 pages

Perception and Simultaneous Organization

part III|130 pages

Expression and Meaning

chapter 8|20 pages

The Problem of Meaning

chapter 10|37 pages

Themes of Signification: Symbolic Elements

chapter 12|9 pages

Conclusion