ABSTRACT

This book maps contemporary playwriting and theatre translation practices and ecologies in the European continent.

Whether you are a scholar researching contemporary drama and translation, or a theatre practitioner looking for ways to navigate theatrical conventions in other countries, this book is for you. Through questionnaires and one-to-one interviews with key stakeholders, Dr Laera collects qualitative and quantitative data about how each national theatre culture supports living dramatists, what conventions drive the production and translation (or lack thereof) of contemporary plays, and what perceptions are held by gatekeepers, theatre-makers and other cultural operators about the theatre system in which they work.

Through country-by-country descriptions and analyses; interviews with playwrights, translators, directors and gatekeepers; a list of key facts and best practices; and a rigorous assessment of its methodologies, this volume is indispensable for those interested in contemporary European theatre practice.

part I|15 pages

At Work with Fabulamundi

chapter 1|13 pages

At Work with Fabulamundi

part II|69 pages

Fabulamundi Workbook

chapter 2|67 pages

Fabulamundi Workbook

A Report on Contemporary Playwriting and Theatre Translation Practices in Europe

part III|49 pages

Conversations

chapter 3|8 pages

For a Common Cultural Space

A Conversation with Lejla Kalamujić and Tanja Šljivar about Playwriting in Bosnia, Serbia, Croatia and Montenegro

chapter 4|7 pages

Representing Nordic Playwrights

A Conversation with Literary Agent Hinriikka Lindqvist about Playwriting in Finland

chapter 5|8 pages

From ‘Fuck Story’ to ‘Whose Story?’

A Conversation with Tyrfingur Tyrfingsson and Sigríður Jónsdóttir about Playwriting in Iceland

chapter 6|8 pages

Cultivating Diversity Through Policy

A Conversation with Jenny Mijnhijmer about Playwriting in the Netherlands

chapter 7|9 pages

We Have to Run Faster

A Conversation with Tiago Rodrigues and Marco Mendonça about Playwriting in Portugal

chapter 8|7 pages

A New Beginning?

A Conversation with Mark Levitas about Playwriting in Turkey