ABSTRACT

This well-argued, analytic text provides a greater understanding of spatial issues in the field of architecture. Re-interpreting the fifteenth century demonstration of perspective, Lorens Holm puts it in relation to today’s theories of subjectivity and elaborates for the first time the theoretical link between architecture and psychoanalysis.



Divided into three sections, Brunelleschi, Lacan, Le Corbusier argues that perspective remains the primary and most satisfying way of representing form, because it is the paradigmatic form of spatial consciousness. Well-illustrated with over 100 images, this compelling book is a valuable study of this key aspect of architectural study and practice, making it an essential read for architects in their first year or their fiftieth.

chapter |18 pages

Introduction

Vision and its doubles

part I|55 pages

Projection and introjection

chapter 1|16 pages

The New Yorkers

chapter 2|13 pages

Brunelleschi and Le Corbusier

Photograph and snapshot

chapter 3|24 pages

Brunelleschi and Le Corbusier

Image and field

part II|72 pages

Perspective, the mirror stage of space

chapter 4|26 pages

The origins of perspective

Reading Manetti

chapter 5|28 pages

The origins of perspective

Brunelleschi’s mirror

chapter 6|16 pages

Intercession

A repetition on the gaze and voice of Brunelleschi

part III|57 pages

Space and its object

chapter 8|29 pages

Space and the drives

The Parthenon and Le Corbusier

chapter |8 pages

Conclusion

The death of space