ABSTRACT

Contemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others. They are the perfect starting point for essays as well being of suitable length for assigned readings, making this the ideal resource for learning about contemporary photography and theory.

chapter |5 pages

Introduction

part One|35 pages

Photography and identity

chapter 1|11 pages

The honorific and the subjugated portrait

chapter 2|10 pages

The blank portrait and the intimate record

chapter 3|11 pages

The portrait and the contemporary self

part Two|34 pages

Photography, landscape and place

chapter 4|12 pages

The politics of place

chapter 5|10 pages

Non-place and new topologies

chapter 6|10 pages

Ruins and the Anthropocene

part Three|30 pages

Photography, performance and the politics of representation

chapter 7|8 pages

Gender and the selfie

chapter 8|10 pages

Race, history and time

chapter 9|10 pages

Performativity and disability

part Four|30 pages

Photography and psychoanalysis

chapter 10|8 pages

Psychoanalysis, representation and desire

chapter 11|9 pages

Psychoanalysis, spectatorship and the gaze

chapter 12|10 pages

The politics of enjoyment

part Five|33 pages

Photography and the event

chapter 13|9 pages

Photography, memory, history

chapter 15|11 pages

Photography, empathy and responsibility