ABSTRACT

This edited collection challenges and re-imagines what is ‘heritage’ in Britain as a globalised, vernacular, cosmopolitan ‘post-nation’. It takes its inspiration from the foundational work of public intellectual Stuart Hall (1932–2014).

Hall was instrumental in calling out embedded elitist conceptions of ‘The Heritage’ of Britain. The book’s authors challenge us to reconsider what is valued about Britain’s past, its culture and its citizens. Populist discourses around the world, including Brexit and ‘culture war’ declarations in the UK, demonstrate how heritage and ideas of the past are mobilised in racist politics. The multidisciplinary chapters of this book offer critical inspections of these politics and dig deeply into the problems of theory, policy and practice in today’s academia, society and heritage sector. The volume challenges the lack of action since Hall rebuked ‘The Heritage’ twenty years ago. The authors featured here are predominantly Black Britons, academics and practitioners engaged in culture and heritage, spurred by the killing of George Floyd and the rise of the Black Lives Matter movement to contest racist practices and structures that support them. This fact alone makes the volume a unique addition to the Routledge Museum & Heritage Studies repertoire.

The primary audience will be academics, but it will also attract culture sector practitioners and heritage institutions. However, the book is particularly aimed at scholars and community members who identify as Black and are centrally concerned with questions of identity and race in British society. Its Open Access status will facilitate access to the book by all groups in society.

chapter |10 pages

Introduction

On Stuart Hall and the imagining of heritage
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part I|44 pages

Stuart Hall's Essay – Context and Impact

chapter 2|13 pages

‘The way in which we learn to sing'

The heritage of ideas behind ‘Whose Heritage?’
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chapter 3|16 pages

Race equality in the cultural heritage sector

Perceptions of progress over the last twenty years and actions for the next decade
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part II|55 pages

Challenging ‘Whose Heritage?’ as Historical Production

chapter 4|12 pages

Mothers milk or regurgitated fish?

Resisting nostalgia and embracing dissension in British heritage
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chapter 5|13 pages

Beyond our system of objects

Heritage collecting, hoarding and ephemeral objects
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part III|56 pages

Challenging ‘Whose Heritage?’ through Arts and Self-reflection

chapter 8|9 pages

In the shadow of Stuart Hall

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chapter 10|17 pages

Narrative cannibals

Who speaks for whom? Heritage, documentary practice and the strategies of power
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chapter 11|13 pages

Searching for new perspectives on heritage

The transatlantic trade in enslaved Africans
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part IV|50 pages

Final Provocations

chapter 12|15 pages

Brand new second hand

Production, preservation and ‘new' diasporic forms
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chapter 13|12 pages

Crisis of authority

Rebuilding the heritage narrative in Stuart Hall's post-nation state
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