ABSTRACT

Prison Writing and the Literary World tackles international prison writing
and writing about imprisonment in relation to questions of literary representation
and formal aesthetics, the “value” or “values” of literature,
textual censorship and circulation, institutional networks and literary-critical
methodologies. It offers scholarly essays exploring prison writing
in relation to wartime internment, political imprisonment, resistance and
independence creation, regimes of terror, and personal narratives of development
and awakening that grapple with race, class and gender. Cutting
across geospatial divides while drawing on nation- and region-specific expertise,
it asks readers to connect the questions, examples and challenges
arising from prison writing and writing about imprisonment within the
UK and the USA, but also across continental Europe, Stalinist Russia, the
Americas, Africa and the Middle East. It also includes critical reflection
pieces from authors, editors, educators and theatre practitioners with experience
of the fraught, testing and potentially inspiring links between prison
and the literary world.

chapter |18 pages

Introduction

A Wide and Worlded Vision of Prison Writing

part |19 pages

Problems and Silences

chapter 1|17 pages

The Credibility of Elves?

Narrative Exclusion and Prison Writing

part |36 pages

PoWs and Purges

chapter 2|17 pages

German Military Internees Writing the First World War

Gender, Irony and Humour in the Camp Newspaper Stobsiade

part |46 pages

Prison Spaces and Nation (Re)Making

chapter 5|17 pages

Writing from Robben Island

National Identity and the Apartheid Prison in South Africa

part |49 pages

Censorship, Advocacy and Text Creation

chapter 7|16 pages

“His Enemy’s Language”

African American Prison Life Writing, the Literary Forms of Institutional Power and George Jackson’s Soledad Brother

chapter 8|17 pages

PEN and the Writer as Prisoner

chapter 9|14 pages

Scribo Ergo Sum

Creating and Publishing Guantánamo Diary

part |36 pages

From Life to Fiction

chapter 10|16 pages

Writing Against the Regime

Metafiction in the Arabic Prison Novel

chapter 11|18 pages

Anarcha-Feminism, Prison and Utopia

The Abolitionist Politics of Alison Spedding’s De cuando en cuando Saturnina and La segunda vez como farsa

part |30 pages

Women, Theatre and Clean Break

chapter 12|18 pages

Something About Us

Clean Break’s Theatre of Necessity

chapter 13|10 pages

Unlocking Potential

The Role of Theatre Writing in Prisons in the Work of Clean Break

part |20 pages

Literary Workshops