ABSTRACT

Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms.

Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology.

Key updates in the third edition include:

  • Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not
  • New pieces added to the anthology widen the range of composers represented

With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear.

This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.

chapter |1 pages

“Goldberg” Variations (1742)

Aria

chapter |1 pages

Two-Part Inventions (1723)

No. 1 in C Major

chapter |1 pages

Two-Part Inventions (1723)

No. 13 in A Minor

chapter |1 pages

The Well-Tempered Clavier, Book I (1722)

Prelude in C Major

chapter |2 pages

The Well-Tempered Clavier, Book I (1722)

Fugue in F Major

chapter |2 pages

The Well-Tempered Clavier, Book I (1722)

Fugue in B Major

chapter |4 pages

The Well-Tempered Clavier, Book II (c. 1740)

Fugue in E Minor

chapter |2 pages

Partita No. 3 for Solo Violin (1720)

Gavotte en Rondeau

chapter |4 pages

Mass in B Minor (1724)

“Crucifixus”

chapter |20 pages

Symphony No. 2 in D Major (1801–2)

Fourth Movement

chapter |33 pages

Symphony No. 3 in E-Flat Major (1803)

First Movement

chapter |16 pages

Symphony No. 5 in C Minor (1807–8)

First Movement

chapter |3 pages

String Quartet in C-Sharp Minor, Op. 131 (1826)

First Movement

chapter |38 pages

Variations on a Theme by Joseph Haydn

Op. 56a (1873)

chapter |31 pages

Symphony No. 4 in E Minor (1885)

Fourth Movement

chapter |34 pages

Violin Concerto in D Major (1878)

First Movement

chapter |1 pages

Prelude in E Minor (1839)

chapter |2 pages

“When I Am Dead, My Dearest” (1906)

Op. 57, No. 2

chapter |5 pages

Preludes, Book I (1910)

X. La Cathédrale engloutie

chapter |2 pages

“Non Disperar; chi sà?”

from Giulio Cesare (1724), Act 1, Scene 5

chapter |3 pages

“L'empio, sleale, indegno”

from Giulio Cesare (1724), Act 1, Scene 6

chapter |4 pages

Messiah (1741)

Overture

chapter |6 pages

Piano Sonata in C Minor, Hob. XVI: 20 (1771)

First Movement

chapter |3 pages

Piano Sonata in D Major, Hob. XVI: 37 (1780)

Third Movement

chapter |19 pages

Symphony No. 101 in D Major (1794)

Fourth Movement

chapter |18 pages

Symphony No. 103 in E-Flat Major (1795)

First Movement

chapter |4 pages

“Schwanenlied” Op. 1, No. 1

(1st Pub. 1846)

chapter |3 pages

“Mayenlied” Op. 1, No. 4

(1st Pub. 1846)

chapter |4 pages

Fugue No. 9 in B-Flat (1942)

from Ludus Tonalis

chapter |3 pages

“Den Abschied schnell genommen”

(1848) Op. 15, No. 1

chapter |2 pages

“Ob ich manchmal Dein gedenke?”

(1841) Op. 27, No. 3

chapter |2 pages

“Nuages Gris” (1881)

chapter |6 pages

Piano Sonata in A Major, K. 331 (1783)

First Movement

chapter |6 pages

Piano Sonata in B-Flat Major, K. 333 (1778)

Third Movement

chapter |12 pages

Eine kleine Nachtmusik

chapter |15 pages

Symphony No. 35 in D Major (1782)

Fourth Movement

chapter |18 pages

Symphony No. 40 in G Minor (1788)

First Movement

chapter |2 pages

Symphony No. 40 in G Minor (1788)

Third Movement, Menuetto

chapter |9 pages

Piano Concerto in D Major, K. 107 (1772)

First Movement

chapter |29 pages

Piano Concerto in E-Flat Major, K. 271 (1777)

First Movement

chapter |4 pages

Canon In D (ca.1680)

chapter |3 pages

“When I am Laid in Earth”

from Dido and Aeneas (1689)

chapter |10 pages

String Quartet No. 6 (1978)

III. Variations (on Pachelbel)

chapter |2 pages

“Già il sole dal Gange” (1680)

from L'honestà negli amori, Act 1, Scene 10

chapter |3 pages

Suite for Piano, Op. 25 (1925)

Minuet and Trio

chapter |4 pages

Mignon, D. 321 (1815)

(“Kennst du das Land?”)

chapter |1 pages

“Eusebius” (1835)

from Carnival, Op. 9

chapter |2 pages

“Morgen” (1894)

from Op. 27, No. 4

chapter |9 pages

“È strano! … Ah, fors'è lui … Sempre libera”

from La Traviata, Act I, Scene 6 (1853)

chapter |13 pages

Le Quattro Stagioni (The Four Seasons) (ca. 1725)

Concerto No. 2: L'ESTATE (Summer) First Movement

chapter |10 pages

Le Quattro Stagioni (The Four Seasons) (ca. 1725)

Concerto No. 4: L'INVERNO (Winter) First Movement

chapter |4 pages

“Verborgenheit” (1888)