ABSTRACT

Privileging the visual as the main method of communication and meaning-making, this book responds critically to the worldwide discussion about the Arctic and the North, addressing the interrelated issues of climate change, ethics and geopolitics. A multi-disciplinary, multi-modal exploration of the Arctic, it supplies an original conceptualization of the Arctic as a visual world encompassing an array of representations, imaginings, and constructions. By examining a broad range of visual forms, media and forms such as art, film, graphic novels, maps, media, and photography, the book advances current debates about visual culture. The book enriches contemporary theories of the visual taking the Arctic as a spatial entity and also as a mode of exploring contemporary and historical visual practices, including imaginary constructions of the North. Original contributions include case studies from all the countries along the Arctic shore, with Russian material occupying a large section due to the country’s impact on the region

chapter |20 pages

Introduction

Visualising the Arctic

part I|57 pages

Visual Poetics and Historic Cartographies

chapter 2|19 pages

The Arctic That Was

Visual Poetics, Historical Narrative and Ian McGuire’s The North Water

part II|78 pages

Mobile Visuality and Visual Storytelling

chapter 4|18 pages

The Winners of the Globe?

The Russian Imperial Gaze at the North in Late Nineteenth-Century Travelogues

chapter 6|22 pages

Come to Lapland!

Changes and Continuities of Lapland Imagery in Finnish and International Travel Posters

chapter 7|18 pages

Cover Art and Content

Selling Arctic Crime Fiction

part III|58 pages

The Politics of Arctic Visuality

chapter 8|19 pages

Cinema, Geopolitics, and Arctic Landscapes

The Cold Cold War in Orion’s Belt

chapter 9|18 pages

Red Arctic?

Affective Geopolitics and the 2007 Russian Flag-Planting Incident in the Central Arctic Ocean

chapter 10|19 pages

Arctic Bodies

Sights/Sites of Necrocorporeality in Nordic Noir Television Series

part IV|62 pages

Visual Worlds of the Russian Arctic

chapter 11|20 pages

The Masculine North in Popular Russian Film

Territoriia as a Case Study

chapter 12|20 pages

Women Look North

Domesticities and the Sublime in Three Contemporary Russian Artists

chapter 13|20 pages

The Arctic on Display

Museums, Art and Haptic Visuality of the North

part V|63 pages

Visual Documentation and Ethnography

chapter 14|16 pages

Traditional Ethno-Cultural Communities in the Modern Russian North

Oil Field as a Documentary Film Case

chapter 15|18 pages

Geo-Cultural Space of the Arctic

Landscape Visualization and Ontological Models of Imagination