ABSTRACT

This book presents an introductory overview of the socio-economic organization of creative industries, focusing on the East Asian context.

Establishing a theoretical framework founded on the work of Richard Caves, Howard Becker, and Pierre Bourdieu, this textbook is an accessible introduction to creative and cultural industries. Drawing on examples from Japan, South Korea, and China, it both examines what is unique about cultural production in these countries and places them in a global and intercultural context. Building on themes of uncertainty and networks of cooperation, Brian Moeran looks at the role of social ties in defining notions of quality. He then analyses the positioning of individual actors, organisations, and commodities in each field of cultural production and the exchanges of economic and symbolic capital that take place between them. Examples are taken from a range of cultural and creative industries, including film, music and fashion.

Overall, Creative and Cultural Industries in East Asia serves as a foundational introduction to the study of creative and cultural production in East Asia.

chapter |19 pages

Introduction

Creative, cultural, and copyright industries

part I|51 pages

Theoretical approaches

chapter 1|15 pages

Economic properties

chapter 2|18 pages

Creative worlds

chapter 3|16 pages

Fields of cultural production

part II|53 pages

Creative industries

chapter 4|17 pages

Music

chapter 5|18 pages

Fashion

chapter 6|16 pages

Incense

part III|51 pages

Marketing creativity

chapter 7|14 pages

Markets

chapter 8|14 pages

Fairs and festivals

chapter 9|13 pages

Celebrities

chapter |8 pages

Conclusion

The name economy