ABSTRACT

Patrice Larroque hypothesizes that early blues singers may have been influenced by the trochaic rhythm of English. English is stressed and timed, which means that there is a regular beat to the language, just like there is a beat in a blues song. This regular beat falls on important words in the sentence and unimportant ones do not get stressed. They are “squeezed” between the salient words to keep the rhythm. The apparent contradiction between the fundamentally trochaic rhythm of spoken English and the syncopated ternary rhythm of blues may be resolved as the stressed syllables of the trochee (a stressed-unstressed sequence) is naturally lengthened and assumes the role of one strongly and one weakly stressed syllable in a ternary rhythm. The book suggests investigating the rhythm of English and the rhythm of blues in order to show how the linguistic rhythm of a culture can be reflected in the rhythm of its music.

chapter |6 pages

Introduction

English Rhythm and BluesIs the rhythm of blues the rhythm of English?

part I|47 pages

Linguistic rhythm

chapter Chapter 1|15 pages

In the beginning is the word

chapter Chapter 2|15 pages

The rhythm of English

chapter Chapter 3|15 pages

The music of English

part II|77 pages

Blues music

chapter Chapter 4|15 pages

Origins and definition

chapter Chapter 5|15 pages

The composition of blues

chapter Chapter 6|17 pages

Restoring the rhythm

chapter Chapter 7|18 pages

The language in relation to blues music

chapter Chapter 8|10 pages

General conclusion

Linguistic and musical evolution